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BOOK REVIEW: Adetanwa Odebiyi’s Twisted Love And The Dangers Of Favoritism In A Nuclear Family

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Dele Jegede In Conversation With Prince Yemisi Shyllon

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Toyin Falola

The story of Jacob’s family is a popular tale among religious families, but there is an aspect of the Biblical story of Joseph to which people do not pay attention. There are many aspects to that story, but the one that seemingly gains less attention is Jacob’s favoritism of Joseph over his brothers. The eventual end of Joseph’s story and the portrayal of Jacob’s bias, as a part of the larger plan to see Joseph become a governor in Egypt and the savior of his people, makes it difficult to critique the Jacobian bias. If Joseph had not aligned himself with the set plans for his life, he could well have perished due to his father’s bias for him. As often as this critical part of the Joseph story is neglected, the truth remains that the cons of favoritism in a family—nuclear or extended, monogamous or polygamous—outweigh the pros.

What happens when parents, in a typical Jacobian move, favor one child over another? What happens when parents do not allow for individual differences in their children? What happens when all children are scrutinized from the same high pedestal without factoring in their individual strengths and weaknesses? What happens when parents overlook a child’s flaws just because such a child seemingly covers up for it with excellent academic performance? What happens when parents flippantly ignore concerns of heightened sibling rivalry?

In a world where the sad news of sibling-rivalry-induced vices such as killing, injuring, or kidnapping is prevalent, Adetanwa Odebiyi’s seven-chapter Twisted Love explores these salient questions in a way that exposes the grave dangers of open bias for a child over others. True to the maxim that literature is the mirror of society, Twisted Love is a social commentary wrapped in the skin of fiction, and its comments touch primarily on the overreaching and dangerous effects of singling out a child as the continual recipient of biased familial love. In 208 pages, Adetanwa Odebiyi explores how sibling rivalry, if left unattended to, can degenerate into a lifelong hatred among siblings and go as far as murder. She does not waste time on unnecessary themes; the subject matter is clearly treated from the outset, and her level of expertise in seeing that such a subject matter is sustained to the end, without losing readers’ interest in the book, is worthy of accolades.

READ ALSO: BOOK REVIEW: The Aesthetics Of Performance And Orality In Na’Allah’s Dadakuada

Twisted Love is a book set in early post-colonial Nigeria, and it opens with a description of life in the family of Mr. and Mrs. Adeoti, a middle-class family with both parents as top civil servants in the educational sector. The Adeotis have four children: Funmi, Ronke, Bayo, and Lolu. From the beginning, the reader is made to understand that the Adeoti’s family places primacy on intellectual prowess and excellent academic performance. They are blessed with intellectually sound children, save for the second child, Ronke, who is not as academically bright as her siblings. The other children are indulged, and their excesses are overlooked because of their brilliance. Mr. Adeoti does not mind when Funmi shies away from house chores, and he sees no wrong in Lolu being a spoiled boy, as long as they keep their excellent grades. Also, Mr. Adeoti does not hide the fact that Funmi is his favorite of all the four children, and he expresses this by showering her with gifts. Ronke, having noticed her parents’ bias for Funmi, learned to throw tantrums and circumvent her parents’ decisions. So she can get a new pair of sandals, Ronke destroys the used sandals passed down to her from her sister. All through their childhood, Ronke strives to be as accepted as Funmi, but she does not possess the qualities that Funmi has, and her parents are not ready to give her the same level of attention, not minding her person.

Mr. Adeoti’s bias for Funmi clearly shows in how he handles her tantrums even after she fails to do her daily chore of wetting the flowers. Instead of punishing Funmi for over-logging the flowers with water, Mr. Adeoti explains to her why she should have responded differently; whereas, he flogs Ronke with a belt at the slightest provocation. Of course, this style of scolding is not lost on Funmi’s siblings, especially Ronke, and it contributes to their perception of their father as a biased parent. There are many instances in the book where Mr. Adeoti flogs Ronke, particularly when she asks him why he did not give Funmi a harder punishment for overlogging the flowers with water.

As the children grow, so does the animosity between the girls. As the animosity between Ronke and Funmi waxes strong, their father scolds them almost every time, but this only leads to Ronke being overly outspoken and confronting what she believes is her father’s unfair treatment and bias for her sister. Ronke’s perceived lack of encouragement and support from her parents pushes her to be self-defensive and gives her the effrontery to stand up to her father’s unfair treatment. Age does not reduce the level of animosity that Ronke has for Funmi, as their father predicted.

Some chapters into the book, we see that Funmi continues to excel in her studies, even in medical school, where she emerges as the overall best student. She goes on to marry Kunle, one of her classmates, and they give birth to three children. Another recurring theme that Odebiyi explores in her book is that of infidelity among husbands. Mr. Adeoti, Funmi’s father, cheats on his wife when he is transferred to Umuahia and Bauchi as a civil servant. He enjoys staying out late, frequenting nightclubs, and having affairs with other women. These same vices are found in Funmi’s husband, Kunle Ojo, who has affairs with two people at his workplace—Rosemary, his departmental secretary, and Peju, a nurse at the hospital where Kunle and Funmi work. He also engages in another extramarital affair with Dolapo, Ronke’s erstwhile classmate, at Ronke’s urging.

Twisted Love is a tale of many plots woven into the fabric of favoritism and how it breeds other problems. It is written in an easy-to-read manner, with a defined plot progression, and there is a balance between the narrative technique and the dialogue technique. This makes it an engaging prose work. The author’s plot development techniques are so subtle that at a surface level, especially in the first few pages of the first chapter, the average reader will find it difficult to pinpoint the book’s protagonist. Is it the girl suffering from perceived maltreatment and a degree of rejection from her family? Is it the girl whose name and deeds keep recurring on the pages of the book? It takes a careful following of the events in the book to unravel the mystery of the plot and character development–that Funmi is the protagonist, and her sister, Ronke, is the antagonist; as Ronke’s ordeals in a family where it seems that she is not loved and accepted turn her into a villain.

READ ALSO: BOOK REVIEW: Abdul-Rasheed Na’Allah’s Seriya And The Aesthetics Of Socialist Realism

A clearer reading of the book reveals that Ronke must have interpreted her father’s preference for Funmi out of proportion. Mr. Adeoti does not hate Ronke; rather, he talks more about Funmi because she possesses the qualities that every parent would want in their child, qualities that a parent could boast of to their fellow parents. However, that is not to say that Ronke’s talents and skills are not admirable. It’s just that she gets so used to being asked to emulate her sister that she has little time to give to the development of her own skills and talents. Twisted Love provides all the motives one could ever think of in cases of aggravated sibling rivalry, and it is proof that scars never fade. It is a book that teaches parents to be cautious of how they train their children because there will be instances to refer to many years later, and the aggrieved never forgets.

Men are portrayed as people who lord over their wives and who would always want to have their way. While this may seem true in part as it concerns some men, it is imperative to focus on changing societal perceptions on affective issues and seeing to ways to bring about change, not projecting and promoting such issues. If the author wants to condemn wife battery and unbridled husband dominance, then it is to be known that things went south, as that scene only succeeds in passing the wrong message and proving that a married man could do whatever he wants without questioning or fear of the consequences. If Twisted Love is to be rewritten according to the message of change it preaches, Mr. Adeoti will love Ronke as much as he loves Funmi. Beyond that, he will advise her to embrace her strengths and support her career in the culinary, catering, or music industry. Not every child has their future divinely tailored from the sufferings that stem from their parents’ favoritism; therefore, parents should desist from placing one child above the others, as there are far-reaching consequences for this familial vice.

Twisted Love has all it takes to be a much-sought-after book. It is written in an accessible language. It touches on salient issues, brings to the fore the rippling effects of favoritism in a family, and encourages all-round familial love that factors in individual differences.

(This is a review of Twisted Love by Adetanwa Ibironke Odebiyi, published by Abbi Books, 2021)

 

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Ojude Oba Poised To Become A Global Event – Abiodun

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L-R: Former Governor of Ogun State, Aremo Olusegun Osoba; former Senator representing Ogun East, Senator Lekan Mustapha; Ogun State Governor, Prince Dapo Abiodun and the Awujale and Paramount Ruler of Ijebuland, Oba Sikiru Kayode Adetona at the 2024 Ojude Oba festival held, at the Ojude Oba Pavilion, Ijebu-Ode on Tuesday.
Ogun State Governor, Prince Dapo Abiodun, has said that his administration is poised at making the Ojude Oba festival a global event.
The governor who stated this on Tuesday at the 2024 Ojude Oba Festival held at the Ojude Oba Pavilion in Ijebu-Ode, said the annual event has grown from a mere gathering of Ijebu people to felicitate the Awujale to an event that attracts both national and global audience.
According to the governor, the festival, which has become a tourist attraction, symbolizes and reflects the collective unity of the people known for hard work, perseverance, and industry.
He said: “Ojude Oba festival is not only a cultural heritage for the indigenes of Ijebuland but has now become a significant event that attracts local and foreign tourists to Ogun State, showcasing our hospitality and enviable tradition of Ijebuland to the national and global audience.
“This festival serves as a symbol of our unity, tourism and a rallying point to all the Ijebu sons and daughters to celebrate the life and times of our tradition, culture, and revered monarch.
“It has become a catalyst for the development of Ijebuland, and this undoubtedly underscores the importance of preserving our traditions for future generations.
“By standing for unity and harmony, we elevate our community and set an example for others to follow. The essence of unity and harmony in Ijebuland can be seen willingly in cultural events like this festival.
“Our administration is deeply committed to supporting the initiative to make it a permanent event in the global tourism industry,” he said.
The event, Prince Abiodun observed, creates opportunities for an advancement which has brought about the socio-economic development not only to the axis but the state as a whole.
While thanking President Bola Ahmed Tinubu for showing interest in expanding the festival, especially with plans to include it in the UNESCO’s world cultural heritage, the governor said his administration was committed to providing the conducive environment for business to thrive.
He said the festival provides an opportunity for the Ijebu people to take stock and project the future. He called for unity and harmony from people across the state, adding that it was time to work together to build a virile state.
“The state government will continue to create a conducive atmosphere for community development across the state and I solicit the support of the people, especially all the sons and daughters towards the 20th National Sports Festival, Gateway Games, 2024, part of which will be hosted right here in Ijebu-Ode,” the governor concluded.
Minister of Arts, Culture and Creative Economy, Hon. Hannatu Musa-Musawa, who was represented by Rev. Ben Ugo, Director of Cultural Industry and Heritage, said her ministry was working towards promoting and preserving cultural heritage of President Tinubu’s administration with the creation of economic expansion to the tune of $100bn.
He acknowledged the cultural diversity of Nigerians, noting that the federal government is working towards making the country a cultural hub by the year 2030.
The Chairman of the 2024 Ojude Oba festival, Chief Olu Okuboyejo, appreciated the governor for his support for the festival and the people for turning up en masse  to grace the occasion.
L-R: Former Governor of Ogun State, Aremo Olusegun Osoba; former Senator representing Ogun East, Senator Lekan Mustapha; Ogun State Governor, Prince Dapo Abiodun and the Awujale and Paramount Ruler of Ijebuland, Oba Sikiru Kayode Adetona at the 2024 Ojude Oba festival held, at the Ojude Oba Pavilion, Ijebu-Ode on Tuesday.

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Meet Shaibu Husseini, The New Sheriff At NFVCB

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Dr Shaibu Husseini

By Esther Kainebi-Daniel

President Bola Ahmed Tinubu on Friday, January 12, approved the appointment of Dr. Shaibu Husseini as the new Director General of the National Film and Video Censors Board (NFVCB), succeeding Adedayo Thomas.

Dr Shaibu, is a celebrated journalist, performing artist, cultural administrator, public relations and media expert, and film curator. He is an alumnus of Lagos State University (LASU) where he studied Mass Communication at the institution’s School of Communication and earned a Bachelor of Science (B.Sc First Class) in Mass Communication, the University of Lagos (UNILAG), where he earned Master of Science (M.Sc) wiith Distinction, and Doctor of Philosophy (PhD) in Mass Communication . His PhD was on film studies as his thesis examined the ‘Structure of Film Production Companies in Nollywood’.

A trained and seasoned theatre, film, broadcast, public relations and culture expert, he is reputed as one of the most consistent documentarists of Nigeria’s vibrant film and movie industry Nollywood and he is an astute commentator on arts, theatre and film development in Nigeria and the continent of Africa.

In 2014, he was honoured for his contributions to the development of Nigerian film industry by Nollywood Film Festival in Germany.

He has been the chairman of the College of Screeners and a member of Jury Board of Africa Movie Academy Awards (AMAA) for many years.

An alumnus of the United States International Visitors Leadership Programme and the AIG-Public Leaders Programme of the Blavtanik School of Governance of the University of Oxford; Dr Shaibu was one time Secretary of the Governing Board of the National Theatre/National Troupe of Nigeria (from 2011 to 2015). He was appointed Director of Dance and Music and Head of the Strategic Communication Unit of the National Troupe of Nigeria.

Dr Shaibu has been the Chair, for 16 years running, of the Selection Committee of Africa’s premier film award – the Africa Movie Academy Awards (AMAA) and a member of the prestigious AMAA jury.

He has attended several conferences, workshops and festivals and has sat and currently sits on a number of local and international Committees on film, theatre and allied matters including serving on the Board and on the jury of a number of Festivals, Awards and Committees including the Board of the Mainframe Film Institute run by the legendary Tunde Kelani, the board of In-short International Film Festival and on the Board of the Bank of Industry (BOI) Nollywood Fund.

Author of ‘Moviedom: The Nollywood Narratives’, Dr Shaibu is a Senior Teaching and Research Fellow at the Mass Communication Department of the University of Lagos and he was a former member of the Nigeria Official Selection Committee charged with the responsibility of deciding Nigeria’s entry for the Best International Film category of the Oscars.

He is currently a voting member of International Golden Globes Award and a consultant to the Berlin International Film Festival. He has served and still serves as a resource person, trainer in the field of theatre, culture and mass communication.

The new NFVCB DG was a pioneer artiste of the National Troupe of Nigeria; he has considerable theoretical, practical and field experience in the area of theatre, cultural administration as well as in public relations, advertising, journalism, broadcasting and film.

He considers himself an enthusiastic, dedicated, detailed and capable theory cum practically oriented professional who is able to improve the ability of an organisation to deliver outcomes that matter.

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A Panel Discussion On Decolonization/Decoloniality

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Please join us for a panel discussion with our distinguished panelists, who will be sharing their expertise on “Decolonization/Decoloniality”.

Sunday, January 28, 2024

5 PM Nigeria

10 AM Austin

5 PM Berlin

Register and Watch:

https://www.tfinterviews.com/post/panelondecolonization

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