Opinion
Encounter With Uboho Bassey (3)
Published
3 years agoon
By
Sam Akpe
Looking back, this was supposed to be a mere interaction. My initial mission was to simply chat up the poet; and be informed about who I was reading. But before we could go far, an instinct prompted me to make sense of her responses—a revealing friendly chat.
From the very deep questions already discussed, I asked her what should have been the initial question: when did you start to write; when did the interest in writing emerge? She looks at me straight in the eyes, lifts her face up and within a split second seems to have suddenly recalled .
Her response: “From youth, quite early in life, I found myself fascinated with words. My parents instilled and nurtured in me the need to read—guided teaching.
“I loved reading the newspapers in my father’s office. I loved the excitement of waiting for the crossword puzzle on the back page of the Vanguard newspaper. I lived in pleasant expectation for the weekend visits to the library.”
It was another way of saying that the passion for writing came along with her interest in reading. She was always scribbling. She had papers littered around her space: the little bedside table, stuck in between pages of her textbooks, and inside her school uniform pockets.
In her words, “In High School, I did what most teenagers did—I wrote love notes, expressed self, poured out emotions. I could look at an object, a piece of clothing, a structure, and weave a storyline about it.
“I wrote about anything and everything. I lived in a world of imagination. I had good teachers. I wanted to learn.”
As was the fashion in those days, Uboho loved novels—Mills and Boons, James Hardley Chase, Agatha Christie, The Pacesetters, John Grisham, etc. Intrigued by words and phonetics, she ventured into encyclopedias and dictionaries. The poet in her was being nurtured.
Here is the secret: “I attempted to write my own stories after reading novels. This jolted my thinking that I could one day venture to write a book. I had two exercise books transformed into my idea of poems—books that remained under my pillow no matter what.
“As with all things in life, this phase faded out of my mind when I entered the university. Writing had become only a hobby. I had no thought that it could take me anywhere in the life I had mapped out for myself.
“Of all the admired professions, no one would have listed “A Writer” amongst the first five. Everyone wanted to be a doctor, an engineer, a pilot, an architect, or a scientist. I wasn’t in any way different from the other children.”
As disclosed in the earlier parts of this discourse, she found herself drawn effortlessly into the literary world. What she has become today did not come without challenges.
With excellent weave of hair-raising metaphors and complicated imageries, Uboho is walking me through the short corridors of her life. She speaks as a poet—hiding a lot behind choice words. I refuse to pursue further because she is making it sound like there is a privacy that must not be advertised.
Her words: “My journey of discovery that I could put down words has helped me in life. It became magnified after I was trapped in silence for years in a relationship that made me question my existence—who I was.
“Writing was a buried gift I unearthed, long interred under the vicissitudes and challenges of becoming a wife and a mother. It was most difficult, at the time to believe in myself, my abilities, or my worth.”
“Writing forced me to put myself under scrutiny. Sharing my writings seemed to me as if a microscope was trained on my life like a specimen in the laboratory. Would people want to debate my motives? Would they judge and find me wanting, lacking in excellence?
“Writing came out of the void of enforced silence. It was like a fountain that burst forth from rusty, creaky pipes after decades of abandonment. The flow was not confident. It came in spurts and wheezes, meandering through rattling pipes, shuddering, and stuttering in its feeble attempt at expression.
“The years had done its best. The challenges were quite peculiar to my circumstances. Now, all I had was the relentless urge to pour out my pain on paper.
“Writing was the vent opened to me from the dungeon of gross darkness. It was the beacon that called me back to harbour like a ship lost at sea. I welcomed the joy and tears that came with the remembrance. I did not think it was a pretty sight.
“All my vulnerabilities, I wrote them down. This was me—writing what I was too scared to say. No cloaks to hide beneath. No masks to hide behind. No fake smile to disguise my pain.”
I am deliberately in silence as she talks. Then I find myself asking, before what look like tears start to fall: advise someone on how to overcome fears—using yourself as an example. I’m seeing a smile, as she opened up again:
“You come to terms that you have lost it all, everything that matters, except this gift of writing. That’s all you have left. It is your one chance of redemption—to make something out of yourself. You say to yourself: “If I perish, I perish.”
“And so, I comforted myself with the logic that we can only hear the stories when it is told, and when it is read. I told myself, ‘Uboho, be courageous enough to say, I can begin again. Be bold enough to say, I will never give up.
“This second opportunity that life bestows makes me deaf to doubts, and blind to fears. It is this attitude that enables me respond to criticism from people who do not connect with my writings in a healthy way.
“I absolve them of all responsibility and burden, just as I am open to constructive criticisms and feedbacks. They do not have to applaud or understand my story.”
READ ALSO: Encounter With Uboho Bassey (1)
So, like a plant brought out from the shade under the brightness of light, she started to bloom. People read what she wrote and were impressed. She even wrote birthday poems for her friends. They got excited.
But then, “The damage to my psyche had taken a huge chunk out of my confidence. It is hard to believe when you have been repeatedly told you have no substance in your brain.
“It is difficult to find hope when it has been crushed for so long. It is even more traumatic when you think you have missed out on all the opportunities life could have given you to become someone.
“There I was, having been told that I couldn’t be anything other than a common housewife. There I was, age not on my side, watching young people accomplish great things, set up businesses, and make money of their own.
“These people, my small audience on social media, helped restore my self-esteem and worth with their edifying words. I was no longer under the perpetual influence of someone who diminished and reduced me to nothingness.
“My writing—I have come to realize, and accept that it is not really for everyone. It is for me—first of all. It is a passion flowing from my heart. It may wash over some people, by igniting a chord.
“It may flow over others—striking a rhythm. It may just glide by others, with no impact. But the most important aspect is that writing healed me. It may heal another hurting soul, somewhere, I hope.
“I have overcome my fears because I found a way to prevail. I have overcome my hesitations in thinking about who my story might hurt or call to question their actions. I have overcome, knowing that if I had given up, I would have had no story to tell today.
“I have overcome, seeing how it resonates with some people. I love the occasional compliment. I love knowing that I can serve people with this gift. Most importantly, I am mindful that it is all for God’s glory—as I serve humanity.”
READ ALSO: Encounter With Uboho Bassey (2)
Enough of the tear-generating recount. How does it feel to be a poet? She did not disappoint. Her response rhymes with my belief. Here she goes again!
“I count myself really blessed to be one of the people who can think, be able to express their thoughts and feelings in words. Perhaps my empathetic nature calls me to deeply connect, intuitively to people and situations around my environment.
“The poet attempts to accomplish through the words of verse what the painter intends with color in a work of art, or a fashion designer through a piece of fabric.
“Poets are wordsmiths, always trying to pack in as much meaning as possible with every word they use in a poem. Being a poet is like being placed on the path of the rising sun.
“It sheds light on the vulnerabilities we are so desperate to keep hidden, out of view of a society who we imagine not so kind or lenient with our failures, our delays, our mistakes, and the things that limit us.
“I feel energies, I feel rhythms, I feel nuances. Sometimes, the depth of feeling makes me shed tears, or propels me into awe and wonder. Poetry pulls me into the very vortex of emotions. It enables me to express myself better and deeper in compelling urgency.
“Words excite me. A simple word or phrase can conjure up several images in my mind. My imagination is actively connected, attuned, and synced to the play of words: to nature, to people, to feelings and emotions. I do not only see injustices, but I also feel them. I am immersed in the rushing flow of life.
“Being a poet means I have a voice and I cannot be silenced. It means I can speak my truth and own my story. It means I can speak for those who cannot speak for themselves.
“Being a poet confers on me the strength and power to rewrite my past and recreate new chapters for my future. Being a poet is what makes me want to lift people higher than they could lift themselves.
“Being a poet makes me want to make people see better, have a loftier view of issues, have the veil removed. It makes me want to uncover the darkness that weighs heavily on the psyche of the hopeless and the voiceless.
“Poetry empowers me to look at the failed social services in our nation and see them for what they are—an assault on our collective conscience as citizens.
“Being a poet has taught me that perseverance is not just a choice, it is a way of life—that one day, soon, I will tell my story about how I overcame what I went through and it will become someone else’s survival guide.
“Being a poet keeps me humbled. There is so much excellence in published works of great poets that I find myself falling short of such brilliance. I stay teachable, humble.” This conversation ends tomorrow.
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By Leo Igwe
The Advocacy for Alleged Witches (AfAW) is concerned over the reported arrest of two men accused of being ‘witchdoctors’ in Zambia. The arrest underscores the potency of witchcraft fears and the connection between occult anxieties and the country’s politics. These individuals were accused of trying to bewitch the Zambian president, Hakainde Hichilema. The police claimed that they had charms. They planned to use the charms to harm the president. The report says the two persons have been charged under Zambia’s Witchcraft Act. The Act criminalizes “possession of charms”, “professing knowledge of witchcraft”, and “cruelty to wild animals”. The police found the two with assorted charms, including a live chameleon.
This development is utterly embarrassing and shows that the Zambian government is slowly losing its focus and bearing.The country has many socio-economic challenges. Suspicion of bewitchment or possession of charms should be the least of its worries at this time. There should be no place for witchcraft and possession of charms in modern politics because there is no evidence for these beliefs and practices. Zambian authorities should not weaponize the Witchcraft Act or use it to justify this incident. Zambian law does not recognize witchcraft. Zambia’s Witchcraft Act criminalizes naming or imputing witchcraft. It prohibits accusing or threatening to accuse any person of being a witch or a wizard. In this case, it is the police who are breaking the law.
Otherwise, how did they know the two individuals were ‘witchdoctors’? Did these persons identify as witch doctors? If not, the police are liable because they named and imputed witchcraft and have to prove that these individuals have witch-doctoring powers. The police claimed to have charged these individuals for possessing “assorted charms”, including a chameleon. Really?
The police in Zambia have questions to answer: What are charms? How did they know that what was in their possession were charms, not pets? Is a chameleon a form of charm? What makes possession of a chameleon possession of a charm? When and how does a chameleon become a charm? The police need to answer these questions and more before one takes them seriously.
Again, did the individuals describe what was in possession as ‘charms’? If they did, does confessing or designating something as a charm make it a charm? And if they did not, the police are liable because they need to prove how those possessions translated into charms.
In addition, the police claimed that the duo wanted to bewitch the president. What does that mean? How did they know? Are the police not contravening a provision under the Witchcraft Act by professing knowledge of witchcraft? Can one harm another person using a chameleon? They claimed that the two persons wanted to use the charms in their possession, including the chameleon to harm the president. How did they know that? What is the evidence for that?
The Advocacy for Alleged Witches calls for an end to this state-sponsored witch hunt. There is no evidence of harm through witchcraft or charms. The Zambian government should desist from witchcraft- related infractions and violations including arbitrary arrest, and detention of innocent citizens. These allegations are baseless and absurd. The arrest was politically motivated. This development demonstrates that Zambian authorities are out of sync with their duty and obligation to uphold the rule of law and protect accused persons.
Zambian authorities need to act in compliance with the 2021 UN resolution, which urged states to take measures to combat abuses linked to witchcraft beliefs and ritual attacks. End witchcraft allegations in Zambia. End witch hunts in Africa now!
Dr Igwe directs the Advocacy for Alleged Witches.
By Tony Afejuku
The other burning issue, apart from Farotimi and Babalola’s, which I wish to take a look at – and which I am taking a look at now – relates to what is happening in our capital territory. What is this burning issue – which our human rightists and civil society organisations and personages are surprisingly and un-satisfactorily not inclined to focus attention on and examine as they should? I may be wrong, but it surely seems to me that this issue, this burning issue, which is of more importance than Farotimi and Babalola’s – which has been given undue adulation – is deliberately being neglected and depreciated by proclaimers and heroes and heroines of human rights, justice, equity and equality of rights in your country my country our country. Why, why, why and why, why, why? Anyone who has any iota of patriotic sensibility, feeling and judgment well watered and buttressed by a very great influence upon his or her critical judgment will keep on asking the question I am asking.
Mr. Nyesom Wike, as almost everybody who can read and write a little knows, is the current minister of your, my and our Federal Capital Territory. His post or office is akin to that of a governor of a state. As the immediate past governor of Rivers State who was drafted, after his two terms there expired, to continue in the FCT as its new minister-governor or governor-minister under the auspices of a party he is not a true member of, Mr. Wike cannot but be seen as a lucky man. He is in every possible and impossible way. Minister-Governor Wike is a lucky man and a very fortunate one indeed. No former governor of Rivers State (or of any Nigerian state), as far as I know, has achieved what the famed political rouser of rabbles has achieved in one short gubernatorial life-time, and at a relatively young and fertile age. His dual achievement with and in two different political parties at this delicate point of Nigerian politics indicates to our politicians and us all that there is always time for a reminder that there are ready-made high rewards for arch-angels of betrayals. And Mr. Wike may go down in Rivers and Nigerian history as both an arch-angel and an emperor of betrayal of us all if we attempt to indicate what I have defined here as his dual achievement.
We can roughly divide, briefly, Wike’s political development into two periods. During the first, excluding his lower political positions before he became the governor of Rivers State, he quickly adapted his style to that of an emperor who became a rabble-rouser of rabble-rousers whose gubernatorial efficiency moved from stiffness to stiffness. He did not at any time feel that he needed suppleness to govern Rivers State. “Let the heavens fall if they must fall!” We are not there yet in this attempted analysis of the stiff-hearted and stiff-minded one. True? But he is already demonstrating this characteristic in Abuja. False? Judge and give the answer yourself.
Even after he left Rivers State a short while ago as governor, he is still trying to control happenings there to the political discomfiture of his hand-picked successor, his erstwhile “boy” and “son” – with whom he has fallen out. As the minister-governor or governor-minister of the FCT, Wike is occupied with the other taste of the emperor-juggernaut formulator – doing the work of two key political masters in one room and desk of political jugglery. Since his appearance in the FCT, minister-governor or governor-minister Wike has allegedly attempted to recover or transform for Abuja what is not traditionally or socially Abuja’s, for example, the city’s social idiom and landscape and terrain as well as its environs. In doing this he sometimes over-steps his bounds and mark of human/inhuman decency/indecency and psychological understanding of human nature, if you follow well what I am saying; he has so far become at best not really better than a typical pedestrian Nigerian lawyer and officer of political power: in his explorations so far in the Federal Capital Territory we have come to the realization, as T. S. Eliot would say, that “it is so often true that only by going too far can we find out how far we can go.” But one has to be a very negatively obstinate and self-serving emperor and a thorough-bred arch-angel of betrayal of the people and masses to justify such perilous and perfidious expeditions and adventures.
Last week, I saw on Arise Television “The Morning Show” Chief Rita Lori-Ogbebor, the dutiful widow of the late Nigerian supreme patriot and soldier, Colonel Ogbebor (of Benin stock) battling, so to say, to wrest the legacy of her late husband from the tight grip of the adventurous FCT minister-governor who has registered his name and signature in the hearts and consciousness of the people as the depriver of their possessions. The three anchors of “The Morning Show” were in their respective ways splendid in their structures of remarks and questions to Chief (Mrs.) Rita Lori-Ogbebor whom I have had occasions in times past to call patriotically Rita A-K 47 on account of her natural right to fire her beautiful tongue at any person, usually an enemy, of just actions. When she made the case she made to protect the estate of Paulosa Nigeria Limited, her late husband’s aforesaid legacy in the FCT, she was in her natural territory, habitat and element where even at age eighty-four, she never ever loses her stability – although she unusually restrained herself in the Arise Television appearance. Dr. Reuben Abati, Rufai Oseni, and Ayo Mairo-Ese clearly explored seriously but delightfully the mind of the mother-hen of Warri – my other coinage and appellation I gave her in my poetry. Her “The Morning Show” appearance enabled me to see the poignant cry de profundis of the FCT inhabitants whose property and residences in different guises have been demolished. She did not say anything that was out of joint. She spoke and came out as a mother, protector and symbol of the people who have suffered – and are suffering – from the state of affliction and anguish Wike’s demolitions have placed – and are placing – the people.
Ojy Okpe in her delicious and delectable “What is Trending” slot on the same show, showed without exaggeration but with further elaboration what people in and outside Abuja/FCT think of the mighty Wike’s demolitions, a burning issue that the Senate has asked “Let Heaven Fall” minister-governor Wike to halt as the committee the Senate set up on the issue starts its work. Of course, we cannot but assume that Chief Rita Lori-Ogbebor, Mrs. Natasha Akpoti-Uduaghan as well as Mrs. Ireti Kingigbe, the senator representing the FCT in the Senate and other patriotic senators diligently did what they did on the floor of the Senate when the burning issue was tabled for debate with the gracious understanding and authorization of the Senate President.
I need to state further that the “The Morning Show” anchors did well and extremely so by giving the minister-governor the opportunity to air his anti-Paulosa story. His senior special assistant on public communication and social media, Mr. Olalere Olayinka, stood in for him. After he gave the reasons for the clamp-down, his responses to the questions the anchors put to him followed the usual pattern of denials by artificial men in power – denials that they always use to intimidate and betray the people. In fact, Mr. Olayinka’s ploy to ride easily over our dear Rufai Oseni, a wholesome representative of the deprived, that the chap (or is it guy?) and his boss always employ their colloquial speeches and remarks to dishonor, failed. Yes, the ploy failed woefully. In stanza after stanza of the exchanges between Mr. Olayinka and the Arise anchors, he deteriorated – and his deterioration was hall-marked when he unwittingly revealed that the Paulosa land had been acquired by his minister-governor’s close cohort, an act that was nothing short of gross abuse of power and authority.
Because the Senate is already using its authority, power and privilege to resolve the burning issue, hopefully, in a way that the late Colonel Ogbebor’s legacy and family will not be subjected to any kind of degradation, I will utter no more words for now. I trust, however, that the liberties the Senate is taking – or has taken – are for the sake of order to favour the down-trodden.
As for the minister-governor, the PDP emperor at large, here is an immortal quote from Marcus Aurelius, the magnificent and authentic Roman Emperor and philosopher (A.D. 121-180): “If it is not right, do not do it; if it is not true, do not say it.” You lose nothing by giving us a slice of your humanity by your right acts and correct words. Everything changes and passes. Be humane as a human being.
Afejuku can be reached via 08055213059.
By Leo Igwe
Recently, I facilitated a critical thinking workshop at the Bay Wreath Schools in Lagos. The theme was critical thinking and teacher development. As the theme stated, the workshop was on teaching, about teaching, and for teachers. It highlighted the pedagogical value of critical and reflective inquiry. The workshop exposed teachers to critical mental habits and skills. It emphasized how critical thinking would enhance expertise in the learning and delivery of subjects in classrooms.
I used the opportunity to discuss questionstorm as a method of teaching and learning. Questionstorm is a way that I operationalized critical thinking for primary and elementary schools. Questionstorm is the ability to interrogate all objects and materials. It is a habit of questioning ideas and experiences in all areas of human endeavor. Simply put, questionstorm is a question-driven inquiry. Children are naturally curious. They thirst for knowledge and understanding. Unfortunately, the school system kills children’s curiosity and dampens their interrogative appetite. The school system places much emphasis on rote learning and memorization. It makes the generation of answers not questions or problems the test of knowledge, and the determinant of intelligence. Teaching is largely a drudgery, a monotonous exercise, and a process of depositing knowledge on passive recipients, the students. Teaching entails dumping information on learners whose duty is to cram and reproduce during tests or examinations.
This teaching praxis has been criticized and blamed for the poor performance of students post-school (college and university) and their inability to think independently, creatively, and innovatively. Other teaching methods have tried to address these gaps and limitations. There have been suggestions to make teaching and instruction more active, and more student/learner/child-centered. One such method is the Montessori method. The Montessori method discourages grades and tests as ways of measuring achievement or determining intelligence and excellence. It emphasizes hands-on learning and the development of real-world skills. While the Montessori method stresses the practical approach to learning it says very little about the authoritarian teacher-to-student approach that is the mainstay of teaching and learning in classrooms. Teaching follows a pattern that leaves students and learners in the margins and unable to question and contribute to the learning process. Teachers present what is to be learned such as a text, and then generate questions that students respond or address to demonstrate knowledge of what has been taught. The student’s or learner’s main job is to answer questions, to look for or find answers or solutions. The teacher’s work is to get students to look for, and provide answers, and reproduce what they have been taught or told. But students are answer-depots. Students are not memory banks or reserves. They are active minds and thinking agents.
With questionstorm as a teaching method, the mode of instruction would change. Teaching becomes a cooperative endeavor that actively involves teachers and students. What is taught in the classroom is a collaborative note, not the teacher’s note, not a handout to students. Teachers present or generate texts or objects for learning, in response to intense questioning of the object or material by students, teachers provide information as required for that subject, topic, level, and time frame. No two instances of teaching – of the same topic or subject- are or should be the same because the input of students and teachers is not predetermined.
This is because of an overlooked principle in teaching and learning, that I call the “uncertainty principle”.
The uncertainty principle underlies questionstorm because knowledge is not fixed. Learning is a fluid process. All that is to be learned is uncertain, it is unknown and never determined. No teacher can say beforehand what is to be taught or learned because no one knows exactly the questions and answers or replies that would arise when a topic is presented or taught in a particular class. A topic or learning material elicits unique responses and exchanges that both teachers and students cannot exactly know or predict a priori, before the fact.
Teaching is a shared task and responsibility. Class notes are fluid materials. They are not texts cast on educational stones and delivered by teachers to students to copy, cut, and paste as is often the case. Class notes are not written or produced by teachers for students but by teachers with students. Teachers’ notes are incomplete and insufficient. They account only for a part, not a whole of the learning process and material. Students’ input completes and complements the teaching material and learning process. Thus every class note is unique because it is a product of a specific collaborative endeavor, a product of particular teaching and learning agents and circumstances that cannot be repeated or replicated.
Thus, as a teaching method, questionstorm is set to facilitate teacher development and improve the quality of instruction in schools. Questionstorm will help realize a paradigm shift in education and learning. I hope educators, teachers, and school managers will embrace this method of teaching and learning.
Dr Igwe directs the Critical Thinking Social Empowerment Foundation.
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