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Conference In Honour Of Professor Bolanle Awe At 90

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Conference In Honour Of Professor Bolanle Awe At 90

ORAL TRADITIONS, WRITTEN HISTORIES

Organised by:

The University of Texas at Austin

University of Lagos

University of Ibadan

Conveners:

Toyin Falola, University of Texas at Austin

Professor Olufunke Adeboye, University of Lagos

Professor Rasheed Olaniyi, University of Ibadan

Dr Sharon Omotoso, University of Ibadan

Keynote Address:

Professor Olabisi Aina

Department of Sociology

Obafemi Awolowo University, Ile-Ife, Nigeria

Date: February 13-14, 2023 Venue: University of Ibadan

Call for Papers

History is undoubtedly the lifeline of every human society. It is an integral element in the intertwined processes of development and civilisation, which influence cultures, beliefs, and perceptions. Whether oral or written, history promotes data collection that helps put past trends in perspective and predicts future happenings as part of its role in achieving a sense of socio-philosophical coherence in any human context.

READ ALSO: Remembering Professor J. A. Atanda

Professor Bolanle Awe has made unrivalled contributions to Nigerian female historiography in particular and African history in general. As a result, the Bolanle Awe at 90 Conference tagged “Oral Traditions, Written Histories” will draw on the scholarship, career, and legacy of Nigeria’s foremost female history professor as she hits the nonagenarian milestone in January 2023.

During her illustrious academic career, Professor Bolanle Awe, a former Professor of Oral History at the University of Ibadan, was Editor of The Journal of the University of Lagos School of African Studies, a visiting scholar to several universities within and outside Nigeria, a consultant to governments and international bodies and agencies, as well as a member of several public and private-sector boards. It is no exaggeration that Professor Awe’s life is the veritable definition of a fulfilling academic career fused with commendable non-academic stints.

At her core, the nonagenarian is a researcher who focuses on solution-driven approaches to national and global problems, as evident in the posts she has held as Director at the Institute of African Studies, with the Women’s Research and Documentation Center (WORDOC), University of Ibadan, and with organisations including MacArthur Foundation, UNESCO, and UNFPA.

Remarkably, oral history is a forte of this amazon around whose works this conference is woven. Oral history has proven valuable in the collection and analysis of ancient, recent, and even contemporary historical data. Given the value it has placed on the spoken word from time immemorial, the African continent continues to rely heavily on oral history. Indeed, pre-colonial Africa was peopled by diverse civilisations with distinct histories, cultures, and beliefs, which influenced their paths to indigenous growth and development, and oral literacy was a key feature of each civilisation. However, oral literacy has its downsides, especially as it concerns inter-generational transmission and sustainable preservation of history. For instance, a ton of historical data and stories, mostly in the form of written history, have been lost owing to the lack of a proper tracking system.

Oral historiography has always been beset by the incremental loss of its credibility and the regrettable loss of humongous amounts of oral historical data and stories due to a lack of documentation.

READ ALSO: Critical Thinking, Questionstorm and School System in Africa

Moreover, the more stories were orally transmitted, the less reliable they tended to become. Luckily, African History as a discipline has greatly benefited from the emergence of Oral History as an academic subfield in history. African History is now in less danger of not being preserved due to the methodologies of oral history that allow historians to collect oral historical data and transform them into written form. While the rest of the world has largely transitioned to written history and documentation, African historians are yet to achieve full documentation of histories that were formerly oral.

Nevertheless, practitioners must be mindful that written history cannot fully replace oral historical data, especially when it comes to the role of human historical sources in traditional religious practices across Africa, for instance. Thus, it should be noted that oral history and studies in oral history form only an integral and indispensable part of history as an academic discipline. Therefore, a major question that this conference seeks to answer is: What are the most important landmarks in oral historical studies in the past sixty years? As valuable and integral as oral history is to the continued existence of human societies, it faces a wide range of challenges, including a lack of access to its custodians.

Certain studies in oral history have stalled due to the inability to access a key informant; therefore, we expect participants at the conference to interrogate such issues as well as others, particularly those concerning the past, present, and continued roles of both academic and non-academic historians in the study of African societies. We expect presentations to cover unique and general issues in oral and written history while examining the breakthroughs and challenges of oral history as a sub-field of History. Ideally, we will place primacy on the past sixty years as a significant marker of when Professor Bolanle Awe started her academic journey as a historian. Also, we will welcome articles that seek directly to expand the frontiers of her works, be it reviews, critiques, and/or theoretical developments. However, studies that go further back in time will be accepted too. Another main turf of this celebrated scholar is women/gender studies in Nigeria – how did this additional frame intersect with oral and written histories?

This announcement calls for papers that will examine various themes related to the studies, challenges and breakthroughs of oral history, the impact of written histories, and the role of both academic and non-academic historians. We, therefore, invite papers on the following areas and closely related ones:

Bolanle Awe and Oral History

Bolanle Awe and Gender Studies

Bolanle Awe and WORDOC (Leadership, Mentorship and Succession)

Bolanle Awe and Yoruba/Nigerian History

Illustrious Women in Nigerian History

Women and Domesticity in Modern Nigeria

Women in the Nigerian Public Sphere

Nigerian Women in Popular Culture and the Arts

Gender Studies in Nigeria

Women Historians in the Past 60 Years

Studies of Oral History in the Past 60 Years

Professional Oral Historians Outside the Academy

Advances in African Historiography

Oral Traditions and Digital Technology

New Sources in African Historiography

Participants are expected to follow these guidelines:

Each proposal must include:

1) Title of the work and an abstract of 250 words

2) Name of the presenter (with the surname underlined)

3) Phone number

4) Email

5) Mailing address

6) Institutional affiliation

7) Three to five keywords that best describe the themes and topics relevant to the submission.

 

Proposals for Panels (3-5 presenters) must include:

1) Title of the panel and a collective summary of 250 words on the panel’s theme, including the title of each individual work

2) A 250-word abstract for each speaker’s presentation

3) Mailing address

4) Phone number

5) Email

6) Institutional affiliation of each presenter.

Interested authors should follow these editorial guidelines:

Please use Bolanle Awe at 90 Conference as the subject title for your submission.

Font: Times New Roman, Size 12, double-spaced.

All abstracts must be submitted by September 30, 2022, to: bolanleawe90@gmail.com

Notification of acceptance: October 15, 2022

Full papers are to be submitted by January 10, 2023

Conference Registration

Academics within Nigeria — N20, 000

Students within Nigeria — N15, 000

International Faculty — $100

International Students — $50

For enquiries, please contact: Olusegun Olopade bcmanager@toyinfalolanetwork.org

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Ojude Oba Poised To Become A Global Event – Abiodun

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L-R: Former Governor of Ogun State, Aremo Olusegun Osoba; former Senator representing Ogun East, Senator Lekan Mustapha; Ogun State Governor, Prince Dapo Abiodun and the Awujale and Paramount Ruler of Ijebuland, Oba Sikiru Kayode Adetona at the 2024 Ojude Oba festival held, at the Ojude Oba Pavilion, Ijebu-Ode on Tuesday.
Ogun State Governor, Prince Dapo Abiodun, has said that his administration is poised at making the Ojude Oba festival a global event.
The governor who stated this on Tuesday at the 2024 Ojude Oba Festival held at the Ojude Oba Pavilion in Ijebu-Ode, said the annual event has grown from a mere gathering of Ijebu people to felicitate the Awujale to an event that attracts both national and global audience.
According to the governor, the festival, which has become a tourist attraction, symbolizes and reflects the collective unity of the people known for hard work, perseverance, and industry.
He said: “Ojude Oba festival is not only a cultural heritage for the indigenes of Ijebuland but has now become a significant event that attracts local and foreign tourists to Ogun State, showcasing our hospitality and enviable tradition of Ijebuland to the national and global audience.
“This festival serves as a symbol of our unity, tourism and a rallying point to all the Ijebu sons and daughters to celebrate the life and times of our tradition, culture, and revered monarch.
“It has become a catalyst for the development of Ijebuland, and this undoubtedly underscores the importance of preserving our traditions for future generations.
“By standing for unity and harmony, we elevate our community and set an example for others to follow. The essence of unity and harmony in Ijebuland can be seen willingly in cultural events like this festival.
“Our administration is deeply committed to supporting the initiative to make it a permanent event in the global tourism industry,” he said.
The event, Prince Abiodun observed, creates opportunities for an advancement which has brought about the socio-economic development not only to the axis but the state as a whole.
While thanking President Bola Ahmed Tinubu for showing interest in expanding the festival, especially with plans to include it in the UNESCO’s world cultural heritage, the governor said his administration was committed to providing the conducive environment for business to thrive.
He said the festival provides an opportunity for the Ijebu people to take stock and project the future. He called for unity and harmony from people across the state, adding that it was time to work together to build a virile state.
“The state government will continue to create a conducive atmosphere for community development across the state and I solicit the support of the people, especially all the sons and daughters towards the 20th National Sports Festival, Gateway Games, 2024, part of which will be hosted right here in Ijebu-Ode,” the governor concluded.
Minister of Arts, Culture and Creative Economy, Hon. Hannatu Musa-Musawa, who was represented by Rev. Ben Ugo, Director of Cultural Industry and Heritage, said her ministry was working towards promoting and preserving cultural heritage of President Tinubu’s administration with the creation of economic expansion to the tune of $100bn.
He acknowledged the cultural diversity of Nigerians, noting that the federal government is working towards making the country a cultural hub by the year 2030.
The Chairman of the 2024 Ojude Oba festival, Chief Olu Okuboyejo, appreciated the governor for his support for the festival and the people for turning up en masse  to grace the occasion.
L-R: Former Governor of Ogun State, Aremo Olusegun Osoba; former Senator representing Ogun East, Senator Lekan Mustapha; Ogun State Governor, Prince Dapo Abiodun and the Awujale and Paramount Ruler of Ijebuland, Oba Sikiru Kayode Adetona at the 2024 Ojude Oba festival held, at the Ojude Oba Pavilion, Ijebu-Ode on Tuesday.

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Meet Shaibu Husseini, The New Sheriff At NFVCB

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Dr Shaibu Husseini

By Esther Kainebi-Daniel

President Bola Ahmed Tinubu on Friday, January 12, approved the appointment of Dr. Shaibu Husseini as the new Director General of the National Film and Video Censors Board (NFVCB), succeeding Adedayo Thomas.

Dr Shaibu, is a celebrated journalist, performing artist, cultural administrator, public relations and media expert, and film curator. He is an alumnus of Lagos State University (LASU) where he studied Mass Communication at the institution’s School of Communication and earned a Bachelor of Science (B.Sc First Class) in Mass Communication, the University of Lagos (UNILAG), where he earned Master of Science (M.Sc) wiith Distinction, and Doctor of Philosophy (PhD) in Mass Communication . His PhD was on film studies as his thesis examined the ‘Structure of Film Production Companies in Nollywood’.

A trained and seasoned theatre, film, broadcast, public relations and culture expert, he is reputed as one of the most consistent documentarists of Nigeria’s vibrant film and movie industry Nollywood and he is an astute commentator on arts, theatre and film development in Nigeria and the continent of Africa.

In 2014, he was honoured for his contributions to the development of Nigerian film industry by Nollywood Film Festival in Germany.

He has been the chairman of the College of Screeners and a member of Jury Board of Africa Movie Academy Awards (AMAA) for many years.

An alumnus of the United States International Visitors Leadership Programme and the AIG-Public Leaders Programme of the Blavtanik School of Governance of the University of Oxford; Dr Shaibu was one time Secretary of the Governing Board of the National Theatre/National Troupe of Nigeria (from 2011 to 2015). He was appointed Director of Dance and Music and Head of the Strategic Communication Unit of the National Troupe of Nigeria.

Dr Shaibu has been the Chair, for 16 years running, of the Selection Committee of Africa’s premier film award – the Africa Movie Academy Awards (AMAA) and a member of the prestigious AMAA jury.

He has attended several conferences, workshops and festivals and has sat and currently sits on a number of local and international Committees on film, theatre and allied matters including serving on the Board and on the jury of a number of Festivals, Awards and Committees including the Board of the Mainframe Film Institute run by the legendary Tunde Kelani, the board of In-short International Film Festival and on the Board of the Bank of Industry (BOI) Nollywood Fund.

Author of ‘Moviedom: The Nollywood Narratives’, Dr Shaibu is a Senior Teaching and Research Fellow at the Mass Communication Department of the University of Lagos and he was a former member of the Nigeria Official Selection Committee charged with the responsibility of deciding Nigeria’s entry for the Best International Film category of the Oscars.

He is currently a voting member of International Golden Globes Award and a consultant to the Berlin International Film Festival. He has served and still serves as a resource person, trainer in the field of theatre, culture and mass communication.

The new NFVCB DG was a pioneer artiste of the National Troupe of Nigeria; he has considerable theoretical, practical and field experience in the area of theatre, cultural administration as well as in public relations, advertising, journalism, broadcasting and film.

He considers himself an enthusiastic, dedicated, detailed and capable theory cum practically oriented professional who is able to improve the ability of an organisation to deliver outcomes that matter.

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Arts & Culture

A Panel Discussion On Decolonization/Decoloniality

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Please join us for a panel discussion with our distinguished panelists, who will be sharing their expertise on “Decolonization/Decoloniality”.

Sunday, January 28, 2024

5 PM Nigeria

10 AM Austin

5 PM Berlin

Register and Watch:

https://www.tfinterviews.com/post/panelondecolonization

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