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BOOK REVIEW: Toyin Falola’s Decolonizing African Studies: Knowledge Production, Agency, And Voice

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BOOK REVIEW: Toyin Falola's Decolonizing African Studies: Knowledge Production, Agency, And Voice
Oluwatoyin Vincent Adepoju

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Oluwatoyin Vincent Adepoju

Having at last got my hands on Toyin Falola’s Decolonizing African Studies: Knowledge Production, Agency, and Voice, University of Rochester Press, 2022, I did a very fast speed reading of the book of 678 pages and careful exposition and argument, in order to discern its flavour, scope and thrust. An exercise of perhaps one hour, with the intention of returning later to more careful reading.

The book demonstrates Falola as a master of the protocols of writing a generally accessible academic book which is yet summative of the field in question, engaging significantly with its constitutive ideas. On account of the sheer scope of the work in terms of its sweeping coverage of practically every aspect of the subject, and its analytical range, the extensiveness of its engagement with the relevant issues and ideas in almost every aspect of African Studies, anyone who wants to gain an overview of the subject in depth is likely to find this book indispensable.

Toyin Falola's Decolonizing African Studies: Knowledge Production, Agency, And Voice

The book is written in terms of a combination of logical rigour and expressive accessibility, so that practically anyone can read it with benefit, from the undergraduate, to anyone new to the subject, to the advanced scholar in the field. The person new to the field will be introduced to its relevance, ideational scope, historical progression and the role of particular figures in the subject, across time and space. Such readers will also benefit from the summaries that conclude every chapter.

The advanced scholar in the field will encounter a multidisciplinary expansiveness that takes in practically every aspect of the humanities and social sciences, addressing these in terms of ideational detail, historical specificity and flow and analyses of the contributions of key figures, across practically all disciplines in African Studies except the sciences.

It would be great if Falola were also to go in more depth into similar issues in relation to the sciences in the African context, a task possible even if one has little background in science, since history and philosophy of science are quite accessible to all readers. Along those lines, the work of Aime Dafon Segla, Ron Eglash, Abdul Karim Bangura and Gloria Emeagwali, among other sources, could be very helpful. If Falola has addressed the sciences as a part of African Studies in depth in this or other texts, I apologise for my omission or misinformedness.

READ ALSO: Toyin Falola’s Decolonizing African Studies: Knowledge Production, Agency, And Voice

Along similar lines, one might take exception to aspects of Falola’s approach, envisaging variations of how the task of the book may be performed, such as his not seeming to discuss Isidore Okpewho’s pioneering work in African epic, even though Áfrican epic is engaged significantly in the text, complementing Falola’s co-edited cutting edge book on African orature published recently.

Decolonizing African Studies also seems not to contain one of the best things I have read from Falola, the essay ”Ritual Archives”, on the same subject as that of the book, and does not seem to have the compelling ”Pluriversalism, ” on the same subject, these two superb pieces, showing Falola at his individualistic best, written in the depth of adventurous ruminations, published in The Toyin Falola Reader. Apologies if I missed their presence in this book.

Such differences of perspective on how a project such as this book should be executed are part of the circumstances that frame any human project, talk less a work of such multidisciplinary range, ideational scope and historical sweep. As it is, this work, like Falola’s entire career, is an example of colossal ambition and drive, suggesting what can be done by an adequately determined person. The sheer level of reading demonstrated, the vastness of historical and ideational range covered, makes the text encyclopedic of its subject, such that, like some other books of Falola’s, if this were the only text he published, as an important landmark in the field, the work would permanently place his name in the record of the development of the field in question.

 

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Ojude Oba Poised To Become A Global Event – Abiodun

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L-R: Former Governor of Ogun State, Aremo Olusegun Osoba; former Senator representing Ogun East, Senator Lekan Mustapha; Ogun State Governor, Prince Dapo Abiodun and the Awujale and Paramount Ruler of Ijebuland, Oba Sikiru Kayode Adetona at the 2024 Ojude Oba festival held, at the Ojude Oba Pavilion, Ijebu-Ode on Tuesday.
Ogun State Governor, Prince Dapo Abiodun, has said that his administration is poised at making the Ojude Oba festival a global event.
The governor who stated this on Tuesday at the 2024 Ojude Oba Festival held at the Ojude Oba Pavilion in Ijebu-Ode, said the annual event has grown from a mere gathering of Ijebu people to felicitate the Awujale to an event that attracts both national and global audience.
According to the governor, the festival, which has become a tourist attraction, symbolizes and reflects the collective unity of the people known for hard work, perseverance, and industry.
He said: “Ojude Oba festival is not only a cultural heritage for the indigenes of Ijebuland but has now become a significant event that attracts local and foreign tourists to Ogun State, showcasing our hospitality and enviable tradition of Ijebuland to the national and global audience.
“This festival serves as a symbol of our unity, tourism and a rallying point to all the Ijebu sons and daughters to celebrate the life and times of our tradition, culture, and revered monarch.
“It has become a catalyst for the development of Ijebuland, and this undoubtedly underscores the importance of preserving our traditions for future generations.
“By standing for unity and harmony, we elevate our community and set an example for others to follow. The essence of unity and harmony in Ijebuland can be seen willingly in cultural events like this festival.
“Our administration is deeply committed to supporting the initiative to make it a permanent event in the global tourism industry,” he said.
The event, Prince Abiodun observed, creates opportunities for an advancement which has brought about the socio-economic development not only to the axis but the state as a whole.
While thanking President Bola Ahmed Tinubu for showing interest in expanding the festival, especially with plans to include it in the UNESCO’s world cultural heritage, the governor said his administration was committed to providing the conducive environment for business to thrive.
He said the festival provides an opportunity for the Ijebu people to take stock and project the future. He called for unity and harmony from people across the state, adding that it was time to work together to build a virile state.
“The state government will continue to create a conducive atmosphere for community development across the state and I solicit the support of the people, especially all the sons and daughters towards the 20th National Sports Festival, Gateway Games, 2024, part of which will be hosted right here in Ijebu-Ode,” the governor concluded.
Minister of Arts, Culture and Creative Economy, Hon. Hannatu Musa-Musawa, who was represented by Rev. Ben Ugo, Director of Cultural Industry and Heritage, said her ministry was working towards promoting and preserving cultural heritage of President Tinubu’s administration with the creation of economic expansion to the tune of $100bn.
He acknowledged the cultural diversity of Nigerians, noting that the federal government is working towards making the country a cultural hub by the year 2030.
The Chairman of the 2024 Ojude Oba festival, Chief Olu Okuboyejo, appreciated the governor for his support for the festival and the people for turning up en masse  to grace the occasion.
L-R: Former Governor of Ogun State, Aremo Olusegun Osoba; former Senator representing Ogun East, Senator Lekan Mustapha; Ogun State Governor, Prince Dapo Abiodun and the Awujale and Paramount Ruler of Ijebuland, Oba Sikiru Kayode Adetona at the 2024 Ojude Oba festival held, at the Ojude Oba Pavilion, Ijebu-Ode on Tuesday.

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Meet Shaibu Husseini, The New Sheriff At NFVCB

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Dr Shaibu Husseini

By Esther Kainebi-Daniel

President Bola Ahmed Tinubu on Friday, January 12, approved the appointment of Dr. Shaibu Husseini as the new Director General of the National Film and Video Censors Board (NFVCB), succeeding Adedayo Thomas.

Dr Shaibu, is a celebrated journalist, performing artist, cultural administrator, public relations and media expert, and film curator. He is an alumnus of Lagos State University (LASU) where he studied Mass Communication at the institution’s School of Communication and earned a Bachelor of Science (B.Sc First Class) in Mass Communication, the University of Lagos (UNILAG), where he earned Master of Science (M.Sc) wiith Distinction, and Doctor of Philosophy (PhD) in Mass Communication . His PhD was on film studies as his thesis examined the ‘Structure of Film Production Companies in Nollywood’.

A trained and seasoned theatre, film, broadcast, public relations and culture expert, he is reputed as one of the most consistent documentarists of Nigeria’s vibrant film and movie industry Nollywood and he is an astute commentator on arts, theatre and film development in Nigeria and the continent of Africa.

In 2014, he was honoured for his contributions to the development of Nigerian film industry by Nollywood Film Festival in Germany.

He has been the chairman of the College of Screeners and a member of Jury Board of Africa Movie Academy Awards (AMAA) for many years.

An alumnus of the United States International Visitors Leadership Programme and the AIG-Public Leaders Programme of the Blavtanik School of Governance of the University of Oxford; Dr Shaibu was one time Secretary of the Governing Board of the National Theatre/National Troupe of Nigeria (from 2011 to 2015). He was appointed Director of Dance and Music and Head of the Strategic Communication Unit of the National Troupe of Nigeria.

Dr Shaibu has been the Chair, for 16 years running, of the Selection Committee of Africa’s premier film award – the Africa Movie Academy Awards (AMAA) and a member of the prestigious AMAA jury.

He has attended several conferences, workshops and festivals and has sat and currently sits on a number of local and international Committees on film, theatre and allied matters including serving on the Board and on the jury of a number of Festivals, Awards and Committees including the Board of the Mainframe Film Institute run by the legendary Tunde Kelani, the board of In-short International Film Festival and on the Board of the Bank of Industry (BOI) Nollywood Fund.

Author of ‘Moviedom: The Nollywood Narratives’, Dr Shaibu is a Senior Teaching and Research Fellow at the Mass Communication Department of the University of Lagos and he was a former member of the Nigeria Official Selection Committee charged with the responsibility of deciding Nigeria’s entry for the Best International Film category of the Oscars.

He is currently a voting member of International Golden Globes Award and a consultant to the Berlin International Film Festival. He has served and still serves as a resource person, trainer in the field of theatre, culture and mass communication.

The new NFVCB DG was a pioneer artiste of the National Troupe of Nigeria; he has considerable theoretical, practical and field experience in the area of theatre, cultural administration as well as in public relations, advertising, journalism, broadcasting and film.

He considers himself an enthusiastic, dedicated, detailed and capable theory cum practically oriented professional who is able to improve the ability of an organisation to deliver outcomes that matter.

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A Panel Discussion On Decolonization/Decoloniality

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Please join us for a panel discussion with our distinguished panelists, who will be sharing their expertise on “Decolonization/Decoloniality”.

Sunday, January 28, 2024

5 PM Nigeria

10 AM Austin

5 PM Berlin

Register and Watch:

https://www.tfinterviews.com/post/panelondecolonization

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