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Call For Papers: A Virtual Conference On Farooq Kperogi, The Digital Age And US-African Diaspora Diplomacy

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Dele Jegede In Conversation With Prince Yemisi Shyllon
Prof. Toyin Falola

Call for Papers

A Virtual Conference on Farooq Kperogi, the Digital Age and US-African Diaspora
Diplomacy

Date: 15 June 2023

Host: African Centre for the Study of the United States, University of Pretoria

Convener: Toyin Falola, Extraordinary Professor of Political Science, University of Pretoria

Book Reviewer: Dr. Dannica Fleuss, Centre for Future Media, Democracy and Society, Dublin City University

Keynote Speaker: Professor Christopher Isike, Director, African Center for the Study of the United States, University of Pretoria (ACSUS-UP)

Date: 15 June 2023

CONCEPT NOTE

The conference aims to use Toyin Falola’s forthcoming publication, Citizenship and the Diaspora in the Digital Age: Farooq Koerogi and the Virtual Community (http://rowman.com/SBN/9781566913413/Cizenship-and- the Diaspora in the Digital Age Farooq-Kperogi-and-the-Virtual Community) to reflect more broadly on the impact of social media on Africa, as well as United States Africa relations.

Culture, the aggregating nomenclature for every aspect of a people’s past and present existence, has always had technical or technological innovations as one of its material aspects and technical or technological knowledge in its immaterial components. The earliest known humans of the hunter gatherer era had technology that suited their time and needs, such that they could craft tools from stones and sticks to make life easier and actions quicker for themselves. From that period to now, there has been a huge evolution, one that its pace increases by the day. It all started with the invention of fire. Since the boom and full blossoming of the digital age in the early 2000s, technology has brought about globalization in all ramifications, with the growth of one simple single, virtual super-society that is regrouping humans of different ages, races, and backgrounds being one of the most phenomenal results of technology in today’s world. This technological advancement moved from the one-sided information and online communication system that dominated the early years of the internet and the world wide web to Web 2.0, the game-changer that made interactive communications in real-time possible, significantly changing how humans use the internet, connect, relate, and transact online.

                           Prof. Farooq   Kperogi

In this age, one of the biggest uses of digital media is communication and information sharing a human activity that is mainly being furthered and advanced through a suite of platforms categorized under the common nomenclature of social media. Social media has brought about an exponential increase in access to information while greatly reducing the period between event occurrence and access to event information. As a result, human reliance on traditional media platforms like the radio, television, and newspapers for news on events and happenings is dwindling by the day, especially as dependence on traditional media comes with the burden of having to wait a long period for news preparation and eventual broadcast or publication, as against the instantaneity that is one of the core features of all social media platforms.

Two phenomena are the most prominent at this point in the digital age. First is the increasing competition among social media platforms to deliver better on the promise of immediacy, relevance, and satisfying users content consumption needs. This competition has brought about several trends in the digital media space, such as innovative features that keep the audience engaged, increase usage time, and promote positive user experience on social media platforms. The second phenomenon has been the race among these social networking sites to be the best at delivering a unified virtual community experience to users in furtherance of globalization and world unification goals, especially in light of the insights the COVID-19 pandemic has brought on the common humanity and inter-dependence of the human race.

Incidentally, these two phenomena – which meant that the platforms focus on features such as video and audio to enhance real-time communication – have brought about a spike in citizen journalism and individualized information sharing. However, the disadvantage is that citizens are now more prone than ever to being fed disinformation and misinformation,
especially in a way that makes it difficult to separate truth from untruth, seeing as technological
advancements have made room for the fabrication of believable proof to support maliciously distributed information.

This problem, along with the seeming inability of traditional media organizations to seamlessly transition to digital media, paved the way for the rise of individual media experts.

The rise in the usage and adoption of social media platforms and the increasing ease in the creation and management of blogging and content creation platforms all form part of the emergence and growth of the creator economy, democratized content publication, journalism, and social criticism. This meant that citizen writers and journalists especially social critics, did not have to fully rely on traditional means like a newspaper column or a weekly television or
radio show to critique societal happenings and contribute cumulatively to the media’s effect on governance. Relatedly, the digital age has also contributed to the rise of citizens engagement and participation in the public policymaking process. For example, the democratization of content publication, journalism, and social criticism enables people to participate in setting the public policy agenda. The affordances of social media at interactive platforms that democratize popular speech and enable new forms of sociality are not limited to geographical borders of states. It crosses state boundaries and connects people in cyberspace, where they freely engage in public diplomacy and diaspora diplomacy that impact international relations. For instance, diaspora populations are increasingly connecting and engaging with their home countries in cyberspace, using social media as a tool for awakening consciousness. They are also invoking their dual-citizenship agency to influence interstate relations between their home and host countries.

Farooq Kperogi a Professor of journalism and Emerging Media at the Kennesaw State University in the US, is a Nigerian social critic and citizen journalist whose work, influence, and achievements have charted new perspectives to the study of digital media in citizen journalism, citizen engagement, and social criticism. Traditional journalistic practices position field work as the Holy Grail of information collection and accurate reportage, However, emerging media and the practices of Professor Farooq Kperogi, who resides in the United States but is one of Nigeria’s most vocal and factual socio-political critics in Nigeria, challenge the tenets of journalam practice as advocated by traditional journalism.

The Nigerian diaspora’s involvement and contributions, although largely in the economic and financial aspects of
Nigerians lives, extend to active citizen engagement and socio-political discourses . Having witnessed other countries processes, conditions, and operations, Nigerians in the diaspora serve the purpose of politically and socially awakening Nigerians to the
need to not settle for the less-than-humane realities of the average citizen.

Aside from the structured and semi-formal social criticism and citizen engagement of the likes of Farooq Kperogi, there is an emerging category of diaspora Nigerians heavily involved in citizen engagement through video content on new-age and youth-targeted social media platforms.

Through his citizen engagement and socio-political criticisms. Farooq Kperogi’s work has fast-tracked the rolling back of unfavorable policies. The professor has also, through research, produced a body of work focused on the Nigerian citizenry and the use of digital and emerging media. Kperogi belongs to the select class of academics who have found a nexus between their research and its applicability worldwide. He has successfully put his research to practice, building a socio-political criticism ecosystem that engages the citizenry, informs, provides contextual analyses of happenings in the country, and influences positive government decisions.

Through the years, Kperogi’s works have presented a holistic view of political, social, religious, and economic crises.

Drawing on his body of work and digital milestones, this conference’s thematic focus is based on the book Citizenship and the Diaspora in the Digital Age: Farooq Kperogi and the Virtual Community by Toyin Falola. The African Centre for the Study of the United
States at the University of Pretoria (ACSUS-UP), therefore, calls for papers examining various themes in the
following and other related areas:
• Traditional Media: Survival and Limitations
• Social Media and Global Politics
• Social Media and the Democratic Process in Africa
• Digitalization and Citizen Engagement in Nigeria
• The Multidimensional Role of Nigerians in Diaspora in Nigeria’s Development
• The Diaspora Diplomacy Agency of the Nigerian Diaspora
• The Soft Power Value of the African Diaspora
• Citizen Journalism in the Digital Age
• Citizen Journalism and Government Policies in Africa
• Citizen Journalism in Nigeria
• Digitalization and Social Criticism in Africa
• Change and Chaos Agents
• Farooq Kperogi and Citizen Engagement
• Farooq Kperogi and the Virtual Community
• Farooq Kperogi and the Reinvention of Journalism
• Social Media Trends and Citizen Journalism
• The Digital Age, Government Surveillance and Control
• The Emerging Media, Citizen Journalism, Misinformation and Fake News
• Web 2.0, Web 3.0 and Virtual Community Building
• Social Media and the Future of the World

Submission Guidelines
We welcome submissions from researchers from multi-disciplinary perspectives across the humanities and social sciences. The criteria for selection are originality, quality of research, and relevance. Comparative perspectives are welcome.

Paper proposals should include the paper title, names, affiliations of author(s) and a 200-word abstract that specifies the key research question, methodology and main findings. The deadline for abstract submissions is 15 April 2023, and acceptance will be communicated on 30 April 2023.

Email all paper proposals to: u19146842@tuks.co.za and bcmanager@toyinfalolanetwork.org

Publication
Selected papers shall be peer-reviewed for publication in an edited book by Toyin Falola and Christopher Isike, which will be published by a reputable publisher .

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Arts & Culture

Ojude Oba Poised To Become A Global Event – Abiodun

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L-R: Former Governor of Ogun State, Aremo Olusegun Osoba; former Senator representing Ogun East, Senator Lekan Mustapha; Ogun State Governor, Prince Dapo Abiodun and the Awujale and Paramount Ruler of Ijebuland, Oba Sikiru Kayode Adetona at the 2024 Ojude Oba festival held, at the Ojude Oba Pavilion, Ijebu-Ode on Tuesday.
Ogun State Governor, Prince Dapo Abiodun, has said that his administration is poised at making the Ojude Oba festival a global event.
The governor who stated this on Tuesday at the 2024 Ojude Oba Festival held at the Ojude Oba Pavilion in Ijebu-Ode, said the annual event has grown from a mere gathering of Ijebu people to felicitate the Awujale to an event that attracts both national and global audience.
According to the governor, the festival, which has become a tourist attraction, symbolizes and reflects the collective unity of the people known for hard work, perseverance, and industry.
He said: “Ojude Oba festival is not only a cultural heritage for the indigenes of Ijebuland but has now become a significant event that attracts local and foreign tourists to Ogun State, showcasing our hospitality and enviable tradition of Ijebuland to the national and global audience.
“This festival serves as a symbol of our unity, tourism and a rallying point to all the Ijebu sons and daughters to celebrate the life and times of our tradition, culture, and revered monarch.
“It has become a catalyst for the development of Ijebuland, and this undoubtedly underscores the importance of preserving our traditions for future generations.
“By standing for unity and harmony, we elevate our community and set an example for others to follow. The essence of unity and harmony in Ijebuland can be seen willingly in cultural events like this festival.
“Our administration is deeply committed to supporting the initiative to make it a permanent event in the global tourism industry,” he said.
The event, Prince Abiodun observed, creates opportunities for an advancement which has brought about the socio-economic development not only to the axis but the state as a whole.
While thanking President Bola Ahmed Tinubu for showing interest in expanding the festival, especially with plans to include it in the UNESCO’s world cultural heritage, the governor said his administration was committed to providing the conducive environment for business to thrive.
He said the festival provides an opportunity for the Ijebu people to take stock and project the future. He called for unity and harmony from people across the state, adding that it was time to work together to build a virile state.
“The state government will continue to create a conducive atmosphere for community development across the state and I solicit the support of the people, especially all the sons and daughters towards the 20th National Sports Festival, Gateway Games, 2024, part of which will be hosted right here in Ijebu-Ode,” the governor concluded.
Minister of Arts, Culture and Creative Economy, Hon. Hannatu Musa-Musawa, who was represented by Rev. Ben Ugo, Director of Cultural Industry and Heritage, said her ministry was working towards promoting and preserving cultural heritage of President Tinubu’s administration with the creation of economic expansion to the tune of $100bn.
He acknowledged the cultural diversity of Nigerians, noting that the federal government is working towards making the country a cultural hub by the year 2030.
The Chairman of the 2024 Ojude Oba festival, Chief Olu Okuboyejo, appreciated the governor for his support for the festival and the people for turning up en masse  to grace the occasion.
L-R: Former Governor of Ogun State, Aremo Olusegun Osoba; former Senator representing Ogun East, Senator Lekan Mustapha; Ogun State Governor, Prince Dapo Abiodun and the Awujale and Paramount Ruler of Ijebuland, Oba Sikiru Kayode Adetona at the 2024 Ojude Oba festival held, at the Ojude Oba Pavilion, Ijebu-Ode on Tuesday.

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Meet Shaibu Husseini, The New Sheriff At NFVCB

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Dr Shaibu Husseini

By Esther Kainebi-Daniel

President Bola Ahmed Tinubu on Friday, January 12, approved the appointment of Dr. Shaibu Husseini as the new Director General of the National Film and Video Censors Board (NFVCB), succeeding Adedayo Thomas.

Dr Shaibu, is a celebrated journalist, performing artist, cultural administrator, public relations and media expert, and film curator. He is an alumnus of Lagos State University (LASU) where he studied Mass Communication at the institution’s School of Communication and earned a Bachelor of Science (B.Sc First Class) in Mass Communication, the University of Lagos (UNILAG), where he earned Master of Science (M.Sc) wiith Distinction, and Doctor of Philosophy (PhD) in Mass Communication . His PhD was on film studies as his thesis examined the ‘Structure of Film Production Companies in Nollywood’.

A trained and seasoned theatre, film, broadcast, public relations and culture expert, he is reputed as one of the most consistent documentarists of Nigeria’s vibrant film and movie industry Nollywood and he is an astute commentator on arts, theatre and film development in Nigeria and the continent of Africa.

In 2014, he was honoured for his contributions to the development of Nigerian film industry by Nollywood Film Festival in Germany.

He has been the chairman of the College of Screeners and a member of Jury Board of Africa Movie Academy Awards (AMAA) for many years.

An alumnus of the United States International Visitors Leadership Programme and the AIG-Public Leaders Programme of the Blavtanik School of Governance of the University of Oxford; Dr Shaibu was one time Secretary of the Governing Board of the National Theatre/National Troupe of Nigeria (from 2011 to 2015). He was appointed Director of Dance and Music and Head of the Strategic Communication Unit of the National Troupe of Nigeria.

Dr Shaibu has been the Chair, for 16 years running, of the Selection Committee of Africa’s premier film award – the Africa Movie Academy Awards (AMAA) and a member of the prestigious AMAA jury.

He has attended several conferences, workshops and festivals and has sat and currently sits on a number of local and international Committees on film, theatre and allied matters including serving on the Board and on the jury of a number of Festivals, Awards and Committees including the Board of the Mainframe Film Institute run by the legendary Tunde Kelani, the board of In-short International Film Festival and on the Board of the Bank of Industry (BOI) Nollywood Fund.

Author of ‘Moviedom: The Nollywood Narratives’, Dr Shaibu is a Senior Teaching and Research Fellow at the Mass Communication Department of the University of Lagos and he was a former member of the Nigeria Official Selection Committee charged with the responsibility of deciding Nigeria’s entry for the Best International Film category of the Oscars.

He is currently a voting member of International Golden Globes Award and a consultant to the Berlin International Film Festival. He has served and still serves as a resource person, trainer in the field of theatre, culture and mass communication.

The new NFVCB DG was a pioneer artiste of the National Troupe of Nigeria; he has considerable theoretical, practical and field experience in the area of theatre, cultural administration as well as in public relations, advertising, journalism, broadcasting and film.

He considers himself an enthusiastic, dedicated, detailed and capable theory cum practically oriented professional who is able to improve the ability of an organisation to deliver outcomes that matter.

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Arts & Culture

A Panel Discussion On Decolonization/Decoloniality

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Please join us for a panel discussion with our distinguished panelists, who will be sharing their expertise on “Decolonization/Decoloniality”.

Sunday, January 28, 2024

5 PM Nigeria

10 AM Austin

5 PM Berlin

Register and Watch:

https://www.tfinterviews.com/post/panelondecolonization

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