Opinion
Encounter With Uboho Bassey (2)
Published
3 years agoon
By
Sam Akpe
She was honest in her response. I believed her. “Honestly, I cannot with all sense of truth, claim that I set out on a mission to write poems. I write poems because it gives me the freedom to express myself.
“It could be about anything, it could rhyme, or not rhyme, it could follow a certain pattern or just a verse. I simply write from the depth of my mind.”
I thought she was just a poet until she said, “I have written articles that have been published in magazines. So, I cannot say I am limited to writing only poems. My fourth book, “From Trauma to Triumph: Finding Liberty” is not poetry.”
She is correct. But even that book is written with the touch of poetry. What does poetry mean to you? It was a question she probably knew I would ask. Her answer was not immediate. But when it came, it was deep; and musical. She offered me a completely different meaning of poetry—several versions.
READ ALSO: Encounter With Uboho Bassey (1)
Here she is: “Poetry is the mirror of our soul. It reflects the music of the universe. Poetry gives me a deep understanding of language and an intense connection with nature to better express my ideas.
“Is it not simply incredible how a line or stanza of a poem could encapsulate an entire story? I find it absolutely captivating how emotions and feelings can be compressed into few words.
“With poems, there is no disconnect. Gaps are created not by what is said, but by how it is said. What is said reaches the mind; how it is said reaches the heart. For me, there is no way to win the mind, without first winning the heart.
“Based on my life’s experiences, there is no doubt that words are powerful. Just as they could hurt when used wrongly, words also have the power to soothe, to heal, to repair, to rebuild what has been damaged.
“There is a right way to use words, and that for me, has been found through writing poems. Words are a flaming torch, which in the hands of a master can light the way, but which in the hands of a maniac, can scorch the earth.
“Poetry is fluidity of movement. I could say, from my little experience that poetry is beauty in motion.
“For me, every step I take echoes a melody, a rhythm, a magic of its own. It helps, quite a lot I might add, about a certain gift of intuitiveness that guides me to find the exact words I need to create balance and rhyme.”
Reading her poems has constantly revealed or whispered something to my intellect. It is something she wouldn’t talk about; but which she cannot hide from her writings. It feels like a pain in the past—something gruesome but which she has either escaped from or she’s trying to.
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She explained a bit of this when asked what colours her writings: “My writing is flavoured by my experiences.” At this point, her voice goes low, her countenance is as though she is fighting tears. Uninterrupted, she continues; sounding more poetic:
“From the tiniest details to the most dramatic events. In typically sensitive style, I let my words flow unrestrained. I invite all into a new realm of strength, igniting hearts with passion, breaking apart the chains of hate, and welcoming the wounded.
“So, when my path crosses with yours, your pain becomes mine—our collective loss; just as my joy becomes yours. Since I care, like you care, we find solace for ‘our’ loss.
“Our friendship supports the loss and the pain we individually bear, lessening its sting. There is a fellowship among those who know the pain of suffering. For the world is filled with much that nobody’s heart should bear alone.
“I would like to believe that my poems address the emotional, the spiritual, the psychological and the physical aspects of humanity.
“I would also like to believe that people will read my poems and see the light beyond the darkness, see hope above the despair, courage in the midst of battles, strength that overcomes weaknesses, and faith that triumphs over their fears.
“As I share my gift of writing, I remember the quote by Thomas Paine: “Give to every other human being every right that you claim for yourself.”
“In the light of that, I would like my poems to offer healing to the scars on the psyche of those bound in the shackles of oppression, subjugation, depression—and courage in their desperate search for freedom.”
Quite a strong message. Uboho, meaning liberty, sees poetry even in the clothes she wears. Her entire life is poetic. She takes it in phases. Her expressions are short and crispy. She doesn’t waste words. I asked her: how do you see what to write about?
This was not an interview. I was on a journey. She saw me as a sinner who must be converted and led to the altar of poetry. She asked me to look around. As I turned, she excitedly exclaimed “poetry is everywhere.”
With her eyes radiating inexplicable feeling of discovery, she continued. “We cannot evade its allure. It is in the nature surrounding us. It is in the relationships and associations we keep. It is in the ties of family and in the bond of authenticity of our personalities. It is in the practice of architecture, engineering, and design.
“Poetry is a voice of reason to humanity. It calls us to re-evaluate what we see as differences. It makes us see that we are not so different as we think, especially as we share a host of human emotions such as love, pain, grief, friendships, hardships, happiness, doubts, and fears.
“In a world faced daily with different forms of conflicts, poetry can serve as conscience of the society. Poetry, if we allow it and embrace it, offers us a way to empathize with other people’s frailties.
“In its simplicity, poetry is a counsellor. It is the heart attuned to personal suffering, helping others to heal from their pains.
“In its complexity, poetry is an artist painting on a canvas, a carver working on a sculpture, a musician singing a love song, or a composer that conducts an orchestra.
“In its spirituality, poetry is a priest ministering to the conscience of society. In its audacity, poetry is the graceful motion of a surfer riding high waves, the delicate poise of a ballet dancer, and the majestic leap of a whale from the oceans.”
Then she went political: “It was the voice of poetry from Amanda Gorman that sparked a renewal of faith in the democratic structures of the American Government during the last Presidential Inauguration.
“Her Poem entitled, The Hill We Climb, forged new bonds of patriotism and strengthened the ties of unity, inspiring hope, rebuilding trust, restoring faith, and healing a nation on the threshold of a divisive era.
“It is poetry that gives me the liberty to explore the power of my imagination. Poetry helps us to understand one another. It is a vehicle leading us away from abuse to appreciation, to understanding and welcoming diversity, from hate to love, from violence to mercy and acceptance.
“It is also a graceful bridge of change that we travel on during our short lives, hopeful for the next destination.
“The literary impact of poetry cannot be over-emphasized. Literature has continued to play a major role in defining the art of linguistic expression. Its importance and relevance have not diminished since the times of Shakespeare.”
To Uboho, poetry permeates cultures and traditions as dance, masquerades, folklore, folksongs, folktales, proverbs, parables, ballads, hymns, drums, and various musical and artistic instruments.
With a huge smile of satisfaction, this unsung poet said as-a-matter-of-fact that “poetry distils into the expressive language of our artefacts, our belief system, keeping new generations in touch with their ancestral inheritance.”
I was not through yet. She equally seemed to enjoy our small talk. What does it mean and how does it feel to be a poet? That was my next question. The answer came as though it was prepared before time. That will be in part three.
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By Leo Igwe
The Advocacy for Alleged Witches (AfAW) is concerned over the reported arrest of two men accused of being ‘witchdoctors’ in Zambia. The arrest underscores the potency of witchcraft fears and the connection between occult anxieties and the country’s politics. These individuals were accused of trying to bewitch the Zambian president, Hakainde Hichilema. The police claimed that they had charms. They planned to use the charms to harm the president. The report says the two persons have been charged under Zambia’s Witchcraft Act. The Act criminalizes “possession of charms”, “professing knowledge of witchcraft”, and “cruelty to wild animals”. The police found the two with assorted charms, including a live chameleon.
This development is utterly embarrassing and shows that the Zambian government is slowly losing its focus and bearing.The country has many socio-economic challenges. Suspicion of bewitchment or possession of charms should be the least of its worries at this time. There should be no place for witchcraft and possession of charms in modern politics because there is no evidence for these beliefs and practices. Zambian authorities should not weaponize the Witchcraft Act or use it to justify this incident. Zambian law does not recognize witchcraft. Zambia’s Witchcraft Act criminalizes naming or imputing witchcraft. It prohibits accusing or threatening to accuse any person of being a witch or a wizard. In this case, it is the police who are breaking the law.
Otherwise, how did they know the two individuals were ‘witchdoctors’? Did these persons identify as witch doctors? If not, the police are liable because they named and imputed witchcraft and have to prove that these individuals have witch-doctoring powers. The police claimed to have charged these individuals for possessing “assorted charms”, including a chameleon. Really?
The police in Zambia have questions to answer: What are charms? How did they know that what was in their possession were charms, not pets? Is a chameleon a form of charm? What makes possession of a chameleon possession of a charm? When and how does a chameleon become a charm? The police need to answer these questions and more before one takes them seriously.
Again, did the individuals describe what was in possession as ‘charms’? If they did, does confessing or designating something as a charm make it a charm? And if they did not, the police are liable because they need to prove how those possessions translated into charms.
In addition, the police claimed that the duo wanted to bewitch the president. What does that mean? How did they know? Are the police not contravening a provision under the Witchcraft Act by professing knowledge of witchcraft? Can one harm another person using a chameleon? They claimed that the two persons wanted to use the charms in their possession, including the chameleon to harm the president. How did they know that? What is the evidence for that?
The Advocacy for Alleged Witches calls for an end to this state-sponsored witch hunt. There is no evidence of harm through witchcraft or charms. The Zambian government should desist from witchcraft- related infractions and violations including arbitrary arrest, and detention of innocent citizens. These allegations are baseless and absurd. The arrest was politically motivated. This development demonstrates that Zambian authorities are out of sync with their duty and obligation to uphold the rule of law and protect accused persons.
Zambian authorities need to act in compliance with the 2021 UN resolution, which urged states to take measures to combat abuses linked to witchcraft beliefs and ritual attacks. End witchcraft allegations in Zambia. End witch hunts in Africa now!
Dr Igwe directs the Advocacy for Alleged Witches.
By Tony Afejuku
The other burning issue, apart from Farotimi and Babalola’s, which I wish to take a look at – and which I am taking a look at now – relates to what is happening in our capital territory. What is this burning issue – which our human rightists and civil society organisations and personages are surprisingly and un-satisfactorily not inclined to focus attention on and examine as they should? I may be wrong, but it surely seems to me that this issue, this burning issue, which is of more importance than Farotimi and Babalola’s – which has been given undue adulation – is deliberately being neglected and depreciated by proclaimers and heroes and heroines of human rights, justice, equity and equality of rights in your country my country our country. Why, why, why and why, why, why? Anyone who has any iota of patriotic sensibility, feeling and judgment well watered and buttressed by a very great influence upon his or her critical judgment will keep on asking the question I am asking.
Mr. Nyesom Wike, as almost everybody who can read and write a little knows, is the current minister of your, my and our Federal Capital Territory. His post or office is akin to that of a governor of a state. As the immediate past governor of Rivers State who was drafted, after his two terms there expired, to continue in the FCT as its new minister-governor or governor-minister under the auspices of a party he is not a true member of, Mr. Wike cannot but be seen as a lucky man. He is in every possible and impossible way. Minister-Governor Wike is a lucky man and a very fortunate one indeed. No former governor of Rivers State (or of any Nigerian state), as far as I know, has achieved what the famed political rouser of rabbles has achieved in one short gubernatorial life-time, and at a relatively young and fertile age. His dual achievement with and in two different political parties at this delicate point of Nigerian politics indicates to our politicians and us all that there is always time for a reminder that there are ready-made high rewards for arch-angels of betrayals. And Mr. Wike may go down in Rivers and Nigerian history as both an arch-angel and an emperor of betrayal of us all if we attempt to indicate what I have defined here as his dual achievement.
We can roughly divide, briefly, Wike’s political development into two periods. During the first, excluding his lower political positions before he became the governor of Rivers State, he quickly adapted his style to that of an emperor who became a rabble-rouser of rabble-rousers whose gubernatorial efficiency moved from stiffness to stiffness. He did not at any time feel that he needed suppleness to govern Rivers State. “Let the heavens fall if they must fall!” We are not there yet in this attempted analysis of the stiff-hearted and stiff-minded one. True? But he is already demonstrating this characteristic in Abuja. False? Judge and give the answer yourself.
Even after he left Rivers State a short while ago as governor, he is still trying to control happenings there to the political discomfiture of his hand-picked successor, his erstwhile “boy” and “son” – with whom he has fallen out. As the minister-governor or governor-minister of the FCT, Wike is occupied with the other taste of the emperor-juggernaut formulator – doing the work of two key political masters in one room and desk of political jugglery. Since his appearance in the FCT, minister-governor or governor-minister Wike has allegedly attempted to recover or transform for Abuja what is not traditionally or socially Abuja’s, for example, the city’s social idiom and landscape and terrain as well as its environs. In doing this he sometimes over-steps his bounds and mark of human/inhuman decency/indecency and psychological understanding of human nature, if you follow well what I am saying; he has so far become at best not really better than a typical pedestrian Nigerian lawyer and officer of political power: in his explorations so far in the Federal Capital Territory we have come to the realization, as T. S. Eliot would say, that “it is so often true that only by going too far can we find out how far we can go.” But one has to be a very negatively obstinate and self-serving emperor and a thorough-bred arch-angel of betrayal of the people and masses to justify such perilous and perfidious expeditions and adventures.
Last week, I saw on Arise Television “The Morning Show” Chief Rita Lori-Ogbebor, the dutiful widow of the late Nigerian supreme patriot and soldier, Colonel Ogbebor (of Benin stock) battling, so to say, to wrest the legacy of her late husband from the tight grip of the adventurous FCT minister-governor who has registered his name and signature in the hearts and consciousness of the people as the depriver of their possessions. The three anchors of “The Morning Show” were in their respective ways splendid in their structures of remarks and questions to Chief (Mrs.) Rita Lori-Ogbebor whom I have had occasions in times past to call patriotically Rita A-K 47 on account of her natural right to fire her beautiful tongue at any person, usually an enemy, of just actions. When she made the case she made to protect the estate of Paulosa Nigeria Limited, her late husband’s aforesaid legacy in the FCT, she was in her natural territory, habitat and element where even at age eighty-four, she never ever loses her stability – although she unusually restrained herself in the Arise Television appearance. Dr. Reuben Abati, Rufai Oseni, and Ayo Mairo-Ese clearly explored seriously but delightfully the mind of the mother-hen of Warri – my other coinage and appellation I gave her in my poetry. Her “The Morning Show” appearance enabled me to see the poignant cry de profundis of the FCT inhabitants whose property and residences in different guises have been demolished. She did not say anything that was out of joint. She spoke and came out as a mother, protector and symbol of the people who have suffered – and are suffering – from the state of affliction and anguish Wike’s demolitions have placed – and are placing – the people.
Ojy Okpe in her delicious and delectable “What is Trending” slot on the same show, showed without exaggeration but with further elaboration what people in and outside Abuja/FCT think of the mighty Wike’s demolitions, a burning issue that the Senate has asked “Let Heaven Fall” minister-governor Wike to halt as the committee the Senate set up on the issue starts its work. Of course, we cannot but assume that Chief Rita Lori-Ogbebor, Mrs. Natasha Akpoti-Uduaghan as well as Mrs. Ireti Kingigbe, the senator representing the FCT in the Senate and other patriotic senators diligently did what they did on the floor of the Senate when the burning issue was tabled for debate with the gracious understanding and authorization of the Senate President.
I need to state further that the “The Morning Show” anchors did well and extremely so by giving the minister-governor the opportunity to air his anti-Paulosa story. His senior special assistant on public communication and social media, Mr. Olalere Olayinka, stood in for him. After he gave the reasons for the clamp-down, his responses to the questions the anchors put to him followed the usual pattern of denials by artificial men in power – denials that they always use to intimidate and betray the people. In fact, Mr. Olayinka’s ploy to ride easily over our dear Rufai Oseni, a wholesome representative of the deprived, that the chap (or is it guy?) and his boss always employ their colloquial speeches and remarks to dishonor, failed. Yes, the ploy failed woefully. In stanza after stanza of the exchanges between Mr. Olayinka and the Arise anchors, he deteriorated – and his deterioration was hall-marked when he unwittingly revealed that the Paulosa land had been acquired by his minister-governor’s close cohort, an act that was nothing short of gross abuse of power and authority.
Because the Senate is already using its authority, power and privilege to resolve the burning issue, hopefully, in a way that the late Colonel Ogbebor’s legacy and family will not be subjected to any kind of degradation, I will utter no more words for now. I trust, however, that the liberties the Senate is taking – or has taken – are for the sake of order to favour the down-trodden.
As for the minister-governor, the PDP emperor at large, here is an immortal quote from Marcus Aurelius, the magnificent and authentic Roman Emperor and philosopher (A.D. 121-180): “If it is not right, do not do it; if it is not true, do not say it.” You lose nothing by giving us a slice of your humanity by your right acts and correct words. Everything changes and passes. Be humane as a human being.
Afejuku can be reached via 08055213059.
By Leo Igwe
Recently, I facilitated a critical thinking workshop at the Bay Wreath Schools in Lagos. The theme was critical thinking and teacher development. As the theme stated, the workshop was on teaching, about teaching, and for teachers. It highlighted the pedagogical value of critical and reflective inquiry. The workshop exposed teachers to critical mental habits and skills. It emphasized how critical thinking would enhance expertise in the learning and delivery of subjects in classrooms.
I used the opportunity to discuss questionstorm as a method of teaching and learning. Questionstorm is a way that I operationalized critical thinking for primary and elementary schools. Questionstorm is the ability to interrogate all objects and materials. It is a habit of questioning ideas and experiences in all areas of human endeavor. Simply put, questionstorm is a question-driven inquiry. Children are naturally curious. They thirst for knowledge and understanding. Unfortunately, the school system kills children’s curiosity and dampens their interrogative appetite. The school system places much emphasis on rote learning and memorization. It makes the generation of answers not questions or problems the test of knowledge, and the determinant of intelligence. Teaching is largely a drudgery, a monotonous exercise, and a process of depositing knowledge on passive recipients, the students. Teaching entails dumping information on learners whose duty is to cram and reproduce during tests or examinations.
This teaching praxis has been criticized and blamed for the poor performance of students post-school (college and university) and their inability to think independently, creatively, and innovatively. Other teaching methods have tried to address these gaps and limitations. There have been suggestions to make teaching and instruction more active, and more student/learner/child-centered. One such method is the Montessori method. The Montessori method discourages grades and tests as ways of measuring achievement or determining intelligence and excellence. It emphasizes hands-on learning and the development of real-world skills. While the Montessori method stresses the practical approach to learning it says very little about the authoritarian teacher-to-student approach that is the mainstay of teaching and learning in classrooms. Teaching follows a pattern that leaves students and learners in the margins and unable to question and contribute to the learning process. Teachers present what is to be learned such as a text, and then generate questions that students respond or address to demonstrate knowledge of what has been taught. The student’s or learner’s main job is to answer questions, to look for or find answers or solutions. The teacher’s work is to get students to look for, and provide answers, and reproduce what they have been taught or told. But students are answer-depots. Students are not memory banks or reserves. They are active minds and thinking agents.
With questionstorm as a teaching method, the mode of instruction would change. Teaching becomes a cooperative endeavor that actively involves teachers and students. What is taught in the classroom is a collaborative note, not the teacher’s note, not a handout to students. Teachers present or generate texts or objects for learning, in response to intense questioning of the object or material by students, teachers provide information as required for that subject, topic, level, and time frame. No two instances of teaching – of the same topic or subject- are or should be the same because the input of students and teachers is not predetermined.
This is because of an overlooked principle in teaching and learning, that I call the “uncertainty principle”.
The uncertainty principle underlies questionstorm because knowledge is not fixed. Learning is a fluid process. All that is to be learned is uncertain, it is unknown and never determined. No teacher can say beforehand what is to be taught or learned because no one knows exactly the questions and answers or replies that would arise when a topic is presented or taught in a particular class. A topic or learning material elicits unique responses and exchanges that both teachers and students cannot exactly know or predict a priori, before the fact.
Teaching is a shared task and responsibility. Class notes are fluid materials. They are not texts cast on educational stones and delivered by teachers to students to copy, cut, and paste as is often the case. Class notes are not written or produced by teachers for students but by teachers with students. Teachers’ notes are incomplete and insufficient. They account only for a part, not a whole of the learning process and material. Students’ input completes and complements the teaching material and learning process. Thus every class note is unique because it is a product of a specific collaborative endeavor, a product of particular teaching and learning agents and circumstances that cannot be repeated or replicated.
Thus, as a teaching method, questionstorm is set to facilitate teacher development and improve the quality of instruction in schools. Questionstorm will help realize a paradigm shift in education and learning. I hope educators, teachers, and school managers will embrace this method of teaching and learning.
Dr Igwe directs the Critical Thinking Social Empowerment Foundation.
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