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End Of Discussion With Uboho Bassey (4)

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Moses Oko: Jailed Without Trial?

By Sam Akpe

Yes, it ends here. What an experience! Writers are extraordinary beings. Poets are more exceptional. In the melodious words of  Percy Bysshe Shelley, “a poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds.”

Poets talk and write with inspirations from certain tangibles and intangibles—from within and without. Some read books and crack into tales. Others are animated by the serenity of nature—friendship, solitude, or silence.

Even a dream, a picture, a word, a simple phrase, an article or people, are sources of inspiration. Most often, people wake up from sleep with words that are insistent and persistent in their subconscious. Ask any writer, especially a poet.

For Uboho, it could be a song on the radio, watching a little child, feeling the grief of others, sharing in people’s joyful moments, injustice, strife, death, the sound of thunderstorm and nature’s elements.

Most times, it is a simple prayer that opens the floodgates of words for a stunning piece. Most writers learn to wait, to yield, and depend totally on the promptings of divine inspiration.

Some writers start off with blank pages before them. Yet, by divine inspiration, the pages get filled up; one after another, until they end up with surplus contents. Uboho belongs to that class.

End Of Discussion With Uboho Bassey (4)

Uboho Bassey

She told me matter-of-factly: “My hope rises daily with an untamable spirit; with an uncommon resolve. This is the hope that holds me. It is my stronghold of wisdom and knowledge—my great confidence.”

She has been in a conference, writing poems while someone speaks from the podium. One day, she wrote a poem in the middle of a sermon in church, and during an evening with guests, interacting. She loves to create an oasis of solitude within her; unaffected by her surroundings.

Writing poems comes to Uboho effortlessly. She sometimes forgets herself when immersed in writing. Time ceases. The world waits. She could forget to eat. She is so committed and devoted to this passion that burns within her—a passion that consumes her energy and keeps her awake through the night.

READ ALSO: Encounter With Uboho Bassey (3)

A mother of four, she confesses: “there has never been any conflict in my roles as a mother. Women are multitaskers. This is a simple truth of the ability nature has graciously bestowed upon the female gender.”

Was this a difficult question—defining the genre of her poetry? “I honestly have never paused to ask myself this question. I can say my knowledge is limited in this.” Her poetry follows no set of rules. She flows freely; creates patterns unknowingly.

She could hardly look at this reporter in the face beyond a few seconds; all through the period we chatted. Is she shy? “Yes” comes her shy response. I am not convinced. She explains. Naturally, she looks shy, reserved, and possibly withdrawn.

But that’s a mere façade. Behind that friendly look lurks an unthinkable strong will. Deep inside the poetic heart is a roaring strength of a determined soul; waiting to devour whoever takes her simple, innocent look for granted.

You look reserved, I asked again. “I guess most people feel that way, at least occasionally. Don’t they? I agree that I do feel self-conscious at times, partly because I’ve been told that my appearance or dressing attracts attention.

“I have been wrongly accused of smiling, of dressing to attract men, when such thoughts and intent never crossed my mind, even for a second. Whatever I wear seems to fit me.

“The seeming shy look is a means of protecting myself from unknowingly presenting a false image. But then, I realize that I cannot control people’s impression about who I am and how they choose to interpret my charm.

“The worst prison anyone can live in, is the fear of what someone thinks of them. I know that now, and I have peace. In the midst of people whose friendship I have come to trust, I simply let myself go.

“I can laugh, make and be at the receiving end of jokes, and exult in the wholeness of my identity knowing that I will not be unfairly and untruthfully judged. I guess I can be called an introvert. Authentic and uniquely me.”

Throughout our stay in the car park, I’m enchanted by her choice and command of words. Quite poetic; deep and deliberate. As I listen, I’m reminded of W. H. Auden’s word, that “a poet is, before anything else, a person who is passionately in love with language.”

READ ALSO: Encounter With Uboho Bassey (2)

Poets create words. Don’t quote me. You can quote Charles Baudelaire who once said that, “there exist only three beings worthy of respect: the priest, the soldier, the poet. To know, to kill, to create.” I asked how she developed her language power. Does it flow this way from every writer?

“When it comes to words, I feel empowered and excited by their power all at once. My reticence simply vanishes with words. I believe my prolonged years of enforced silence muzzled me. Now, I can express myself.

“I was told never to talk back or respond. I listened in silence and only acted as directed. I couldn’t air my views or express myself without the fear of disrespecting someone. This put a hesitancy in my speech, but created an avalanche once I started putting words down.

“For me, I can say that words save me. They awaken and enlighten my soul from dark despair. Words give me hope and strength. They give my name its true meaning. Words set me free!

“I believe that being able to finally speak out about my trauma, and my journey has given me the “blast” that you talk about. I have no reservations about using words to interpret the imaginations and the musings in my mind. I simply let go of the inbuilt pressure and it shoots high.”

From that simple question, she instantly composed a poem. I was stunned. I simply listened as she wrote it down for me. It is entitled: Today I Can Say

“You did not shut me up,

You built for me a pulpit.

Every time you silenced me,

New words were birthed inside.

I do not care about your motives –

Whether as a hunter or a scavenger.

Every time you caused me pain,

My destiny was reaping gain.”

Those lines simply burst forth from her without a hint. No, she was not writing about me. Inside those penetrating eyes, I could see her mind travelling back on a terrain only her imagination could reveal. I asked. She gave a hint; for my ears only.

“And I can say there is a past version of me that is so proud of how far I have come. I may not yet be where I want to be, but I am no longer the defeated person of yesterday. Defining who I am, is defining who I will never be again.”

I started this conversation by defining poets as mysterious writers. Their thoughts are hidden. They could be dangerous. They hide behind words to knock, slap and push.

The question is hanging. There is a pause. She is watching the flight path of a bird in the sky above us. The sight seems to captivate her. I’m seeing a bird. But she is seeing poetry in motion—the swerve and the tilt of its frame, the dip and the rise of its wings. It was beautiful!

The question is: are poets born or made? It is the last question. After what seems like never-ending-silence, she speaks: “Just yesterday, I had a discussion with my daughter on what I have taken for granted: the power of imagination and creativity.

“My mind’s eye is potent… I can visualize an outfit I want made, I can see the style, the colours and imagine how it drapes over my body. I can also picture how you would look in a tuxedo (smile).

“It is the same way with words. Sometimes, I see words whilst I sleep and in my subconscious state, I read them out. A glimpse of a word…can open up a floodgate of imagery in my mind. I do not know what this is called, or how I came about it.

“When my daughter asked me to look up aphantasia, I was curious. I had asked her to picture me in her mind’s eye, imagine me in a red shirt and jeans. She laughed. ‘Mummy, I can’t even see your face.’

READ ALSO: Encounter With Uboho Bassey (1)

“She continued, ‘It’s fascinating and interesting to know about your imagination and how words can unravel several images in your mind. I can’t see faces, colors, shapes.’ She concluded. And before you ask, she’s not in any way bothered about it!

“Maybe this gift is innate. Maybe I was born with it, just like the bird I saw was created with the ability to fly in the sky. Don’t we also know a lot more people with an active and colourful imagination? Imagine the artists, painters, the musicians, architects, writers like you too.

“What if I am a repository of all that I was in a previous life; my subconscious, my soul, my spirit, infused into the words I speak? I guess that would make my story authentic and original. Straight from the origin, coming right from the source.”

As I listened, I could see beyond her words. There is her daughter, fascinated by her natural flow for words and rhymes. It is easy for Uboho to portray the sensory images she sees, the unending symphony; and also invite her readers to hear, see, touch, feel and taste same.

She doesn’t have to struggle much to find expression. It is effortless, and she has no problems articulating her thoughts. She may have been a science student, with a degree in microbiology; yet, here she is, comfortable in the niche wherein she has found herself.

As I end this piece today, I believe that poetry is a talent, innate; a skill that cannot be forced or forged. Just as people are blessed with natural inclinations and interests, I believe that you either have it in you, or you don’t.

For the poet, like Uboho (meaning Liberty), her power of perception and creativity is extraordinary; limitless and boundless. She has become an embodiment of those virtues. She walks about with them without creating ripples, except when she picks her pencil and opens her writing pad.

But that does not also absolve my belief, that training, constant practice, investing time, can fine-tune every skill and lift it to the heights of excellence. But I am convinced it will be easier for someone with passion for something, to excel in it far more than someone with no interest at all.

Uboho has the passion. She has that unquenchable drive. I believe with her that whether poets are born or made, it is the role of education to bring out their unique potential and that peculiar flair for the good of humanity, and the continued prosperity of the mind through literature.

What a day this has been. What an encounter! I could write a book on it. Her latest book—yet to be published—is in the works. She has just sent me the synopsis. How do I end this piece? Let me end it here.

 

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Stellenbosch: Senzeni Na And Decolonizing Secularity In Africa

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Witch Burning, Impunity And Abuses Linked to Witchcraft Beliefs In Benue State
Dr Leo Igwe

By Leo Igwe

In December, I attended a workshop on Decolonizing Secularity in Africa. It was one of my best conferences because it highlighted issues that have worried me over the years. For the first time, I attended an academic conference on religion or secularism in Africa that featured a panel on atheism and humanism in Africa. Organized by Point Sud, this workshop was held at Stellenbosch in South Africa. Interestingly I did not know about Stellenbosch’s colonial history and significance. So I could say with the benefit of hindsight that the choice of Stellenbosch as a venue for this event was adequate. The goal of the workshop was, based on the coloniality of secularity, to interrogate the “liberating force of religion, the secular in ethnic nationalisms, and the ideologies of culturalization, not least in its current revenant, heritagization, in Africa and beyond”. It was great to meet, discuss, and exchange ideas on colonization, decolonization, religion, and secularity with scholars and activists from different parts of the continent and the world. Many issues that emerged at the conference have continued to agitate my mind. First is the so much emphasis on colonization. I have continued to wonder: Can’t we meaningfully discuss African issues without alluding to colonialism? Again, reference is always made to Western colonialism. What about Eastern and other forms? Many parts of America were colonized at one point or the other. Weren’t they? The same with Europe, Asia, and Oceania. But it is only in the case of Africa that there is an overemphasis on Western colonialism. Incidentally, many African scholars have unwittingly joined in explaining Africa through the lens of colonialism, western colonialism.

The fixation on colonialism is not without a reason. I attended an African studies conference some years ago and someone alluded to a comment by a Western scholar, that regarding Africa, before colonialism, there was nothing. There was nothing? I was shocked to hear that comment. Look, that I do not know or nobody knows about a period in history, does not mean that there was nothing. Is it not better to say I do not know than to make such a dimwitted statement? What applies to Africa, applies to other places in the world. There are stages in their histories nobody knows what happened. Or what is known is patchy. That should not be a reason to say that there was nothing.

One issue that engaged attendees was the meaning of ‘decolonizing’. What does it mean to decolonize? Some define decolonization as removing or undoing colonial elements and influences. And if that is the case, what do we remove or undo? And who does that and Why? how do we undo the Western colonial linguistic influence? What about the eastern and other colonial elements? Is it possible or feasible to remove or undo all colonial influences? By the way, is religion or secularity as introduced to Africa decolonized?

Some participants argued that decolonizing secularity implied going back in time before colonialism. So, how far can we go and why? In the process won’t we go back to that time “when there was nothing?” Can’t we decolonize without returning to the past? Can’t we decolonize looking forward and not backward? Is religion or secularity not an embodiment of layers of influences over the years? If we were to peel off these ‘colonial’ elements, what would be left? Some propose a return to the indigenous forms of secularity or religion as the case may be. The question is this: What does indigenous mean? Who defines or determines it? Is the indigenous the same for all? What is considered indigenous to South Africans may not be to Kenyans, Nigerians, or Malians. What is considered indigenous in a part of Nigeria may be a legacy of the colonial influence by another part of Nigeria. So what is indigenous to Africa is not monolithic and regionally applicable.

That leads me to another controversial issue that came up at the workshop, which is, one secularity or multiple secularities. Some of the participants especially those from the Department of Religion, at the University of Cape Town were of the view that there was one secularity, that is the western secularity is manifesting in other climes, in different forms. While other participants from Europe leaned towards the notion of multiple secularities highlighting forms of distinction and differentiation between religion and other social domains across cultures. Although secularism or secularity is Western in origin, what the concept represents manifests in other cultures and societies. Secularities predate Western secularity or manifest and feature in ways that do not fit into or align with Western secularity.

As I noted earlier, there have been colonialisms before Western colonialism. There have been secularities before Western secularity. Although Western colonialism brought the influence of western religion and secularity to bear on various cultures and societies, the colonial encounter does not negate the social differentiation of religion and other domains in these societies. It is only in seeing or articulating secularity in its multiple forms that these situations, dynamics, and intersections could adequately be captured. So, the concept of multiple secularities has enormous explanatory power. It is useful and helpful in highlighting the social distinction of religion and other domains in cultures and societies beyond the West.

For instance, western missionaries introduced christianity and the Christian god to Africa. What we have is one Christianity or Islam manifesting in different forms. Africans have adapted and reinvented the Christian religion over the years, hence the notion of African Christianities. Again while western Christian missionaries introduced Christian religion or religiosity, they did not introduce religion. religiosity, or the idea of god. There are other religiosities apart from and beyond Christianities/Christian religiosities. There are other gods and deities beyond the Christian god/deity. I think the idea of multiple secularities or multiple religiosities has much more descriptive value.

Another issue that came up at the event, not surprisingly so, was apartheid. One of the presenters analyzed the song, Senzeni Na (What have we done?) to buttress his point. I have never heard of the song. I didn’t know its relevance to the anti-apartheid struggle. In the course of the discussions, it was noted how other Africans including Nigerians are not conscious or sensitive to the pains of apartheid. I noticed from the expressions of some South Africans at the meeting that they were not happy with the nonchalant attitudes of Nigerians towards their experience. I believe that black South Africans are right to feel that way. The apartheid was a tragic experience that still hurts blacks in contemporary South Africa. The painful memories won’t quickly go away. Black South Africans should also understand that Nigerians have a different history and experience. They should also not forget that the Nigerian and other African governments contributed a lot to the anti-apartheid struggle. Nigeria supported Nelson Mandela and other heroes and heroines of the struggle.

Many South Africans do not relate to the tragedy of the Rwandan genocide as Rwandans do. They do not relate to the pain and trauma of the Nigerian civil war. In meetings and conferences, they treat these experiences and encounters lightly because these experiences were not a part of their history. As I noted during my conversations with some of the attendees, while I appreciate the pain and trauma of apartheid, Black South Africans must learn to move on because as they say in the Igbo language, Nke chi ka, meaning, the one yet to come, the future one, the one that belongs to tomorrow, is greater. The greatness of South Africa does not lie in the past but in its tomorrow, in its future. It does not mean that we should not refer or draw from the past. We should and we must. But South Africa is not returning to those days when Senzeni Na was sung. The country is forging ahead and moving towards a better and more glorious future.

This song provides a thrust for this forward and onward movement. It highlights the challenges that South Africans face and are facing. But more importantly, this song codifies the pain and suffering of all humans because all oppressed people everywhere; all who suffer persecution within and without South Africa are singing, Senzeni Na.

Igwe, PhD,  was a co-convener of Decolonizing Secularity in Africa, Stellenbosch, South Africa, 9–13 December 2024.

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Commonwealth Day 2025: Together We Can End Witch Hunts And Ritual Attacks

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Witch Burning, Impunity And Abuses Linked to Witchcraft Beliefs In Benue State
Dr Leo Igwe

By Leo Igwe

As we mark Commonwealth Day 2025, the Advocacy for Alleged Witches protests witch hunts and ritual attacks in Commonwealth countries, and the refusal of the Commonwealth to speak out against these abuses. In many parts of Africa, Asia and Oceania witch hunting is not a thing of the past but an ongoing wave of abuses and violations. In Commonwealth countries such as Ghana, Nigeria, Kenya, Papua New Guinea, persecution of alleged witches rages with force and ferocity. In Ghana, witch persecution results in the displacement of accused persons who then flee to some make shift shelters known as “witch camps”. Those who could not flee to these places like Akua Denteh are murdered in cold blood.

Witchcraft accusation is a form of death sentence for the accused and accused people are sometimes extrajudicially killed despite existing legislations in these countries. Witch trials take place in many countries of the Commonwealth. Trial by ordeal and jungle justice are meted out to the accused. Some weeks ago, an elderly woman who had dementia was accused of witchcraft and beaten to death in Nigeria. In Malawi, alleged witches are stoned to death. In Zambia some political opponents suspected of trying to kill the president using ‘witchcraft’ are standing trial at the state court. Alleged witches, mainly women, children and people with disabilities are attacked, banished, lynched, buried alive or tortured to confess to the ‘crime of witchcraft’.

Witch hunting persists because many countries and groups of countries like the Commonwealth have refused to speak out against these atrocities. The Commonwealth should break its silence on witch hunts and ritual attacks in member countries. It should join the UN in condemning these horrific abuses. The Commonwealth should add its voice to this campaign. It should highlight witch persecution and witch hunting during its meetings and summits. It should call for an end to abuses linked to witchcraft beliefs and ritual attacks. The Commonwealth Day should be an opportunity to recommit to ending this menace. It provides a platform to rally all countries against these violations. No nation should be left behind in the quest to make witch hunting history around the globe.

Together we can end witch hunts and ritual attacks in Commonwealth countries.

Igwe, PhD, directs the Advocacy for Alleged Witches.

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Opinion

Lead City @20: The Past And The Present

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Dele Jegede In Conversation With Prince Yemisi Shyllon
Prof. Toyin Falola

By Toyin Falola

Our university is now an adult at 20!

About twenty-two years ago, the vision to redefine the frontiers of private education in Nigeria led to the conceptualization of the idea, which birthed a new direction for education. The thoughts and projections of like-minded educators and academic experts led to the establishment of Lead City University (LCU) as a beacon for progressive education in Nigeria. This development came when access to higher education was limited by rigid institutional structures and to federal, state, and a handful of private institutions.

At inception, LCU was envisioned as an academic environment that was expected to balance flexibility with skills and academic excellence. On this note, the university became fully operational in 2005, having scaled through necessary procedures for establishment. Since then, the university has positioned itself as an institution willing to break conventional norms by offering programs that blend theoretical learning with practical application. The goal was clear—to bridge the gap between academia and the real-world demands of the job market, ensuring that students graduated with certificates, competence, and confidence. Hence the word “enterprise graduate”.

Two decades later, Lead City University has become a household name in private tertiary education in Nigeria and earned the trust of parents, guardians, students, and the education community. From its humble beginnings with two campuses around Jericho and Challenge areas of Ibadan, the University has metamorphosed to its current state, reflecting the institution’s journey of ambition, resilience, and a commitment to continuous improvement. To reiterate, the university’s distinct blue, white, and pink colors symbolize the institution’s values for knowledge, human development, creativity and prestige, and excellence. At the same time, the university’s emblem, which depicts a fusion of knowledge, self-reliance, and technological orientation, is not just a design but a representation of LCU’s enduring promise to its students in equipping them with the tools they need to navigate life’s complexities.

In its formative years, Lead City University set itself apart by adopting an academic model that was both innovative and inclusive. Unlike conventional universities that adhered to a one-size-fits-all approach, LCU introduced learning structures that accommodated working professionals, non-traditional students, and young scholars eager for a more practical learning experience. This unique flexibility over time has attracted a diverse student population, making the university a melting pot of ideas and aspirations.

Significantly, and with every sense of humility, it is worth mentioning that the academic offerings at LCU have grown in milestones over the years. What started as a modest selection of undergraduate programs across the two campuses has expanded into a comprehensive curriculum spanning disciplines such as Business Administration, Law, Engineering, Social Sciences, Computer Science, and Mass Communication. More recently, the university reached a significant milestone with the approval and accreditation of its Medical and Health Science programs, including Medicine and Surgery, Pharmacy, and Physiotherapy.

These additions have broadened the school’s academic reach and cemented its credibility as a serious player in Nigeria’s higher education landscape. This has brought much credence to the school, its parent body, and every stakeholder within its system. This is because achieving accreditation for these highly sought-after courses required a high-level strategic investment in infrastructure, faculty recruitment, and curriculum development. The intensity of these has further proven LCU’s unwavering commitment to quality education.

Beyond the classroom, LCU has been at the forefront of promoting an education system that extends beyond academic achievements. It is an apparent recognition that learning should not be confined to lectures and textbooks. To achieve this, the university has integrated entrepreneurship programs, skill acquisition initiatives, and industrial partnerships into its curriculum as a proactive measure for students to withstand today’s competitive job market, where traditional employment opportunities are increasingly fizzling out. It is a welcome development for a 21st-century school, as graduates need more than theoretical knowledge. They need adaptability, innovation, and more practical experience to fit in. It gladdens the heart to know that LCU understands this reality and has taken deliberate steps to ensure its students are equipped with these critical skills.

A defining aspect of the university’s impact over the past two decades has been its emphasis on accessibility. The tradition before was that private universities in Nigeria were often perceived as elitist due to their tuition costs and the social class that enrolled. At one point, there were similar issues with enrollment, as many were not convinced that it was a school their wards could attend.

To mitigate this, LCU has consistently worked to change the narratives by providing scholarships and financial aid to deserving indigent students. These scholarships, awarded based on merit and financial need, remind the institution of its commitment to inclusivity. These opportunities have been life-changing for many students who might have otherwise been unable to afford higher education. By ensuring that education remains within reach for those who need it most, LCU has once again demonstrated its commitment to shaping futures.

Looking at the trajectory and quality of academic delivery obtained in the school, one cannot salute the decision to have a well-grounded faculty. Faculty development has been another cornerstone of LCU’s success. After all, an institution is only as strong as the quality of its educators. Hence, there is a deliberate commitment to recruiting experienced lecturers, researchers, and industry professionals for its academic team. Over the years, the university has built a faculty that blends theoretical expertise with real-world experience. This approach ensures that students are not just taught from textbooks but are mentored by individuals who have made significant contributions in their respective fields. By fostering an environment of mentorship and academic research, the university has maintained high teaching standards, preparing students for professional and educational pursuits.

The physical transformation of Lead City University over the past twenty years is also worth noting. The university, which began with a modest campus, has since expanded into a thriving academic hub, complete with modern lecture halls, state-of-the-art laboratories, well-equipped libraries, and recreational facilities embedded in an architectural design that reflects a blend of tradition and modernity, creating an environment that is both inspiring and conducive to learning. These infrastructural developments are a testament to the university’s long-term vision to make learning conducive in a friendly atmosphere.

However, LCU’s journey has not been without challenges. Like all private institutions, it has had to navigate the complexities of Nigeria’s educational sector, including regulatory policies, economic fluctuations, and the evolving expectations of students and parents. For instance, the unpredictability of the country’s economy has often made financial planning difficult for the institution and its students. Yet, through strategic planning and resilience, LCU has continued to evolve, adapting to changes while maintaining its core mission.

The role of technology in education has also become increasingly significant in recent years, and LCU has recognized the need to integrate digital learning into its academic framework. The COVID-19 pandemic disrupted educational systems globally and became a wake-up call for institutions to adopt more technologically driven learning methods. LCU strengthened its digital learning infrastructure, enabling students to continue their education remotely. The university’s investment in e-learning platforms, virtual labs, and online course delivery models reflects its readiness to embrace the future of education.

At one point, the university displayed mastery of digital tools to drive enrollment. This was in the wake of low enrollments, especially as very few citizens of Oyo State see the school as a prospect. During this period, the university had a large number of its students coming from outside the state. In response, the dedicated marketing teams deployed various traditional and digital tools, effectively utilizing social media, newsletters, and email marketing to achieve outstanding results. This is but a display of innovative thinking by a core department in the school.

As Lead City University celebrates its 20th anniversary, it is at a critical juncture that demands an even more significant commitment to innovation, research, and global academic engagement. The next phase of its journey will undoubtedly require a stronger emphasis on technological integration, expanded research initiatives, and deeper collaborations with local and international institutions. The university has already laid a strong foundation, but the challenge is to build upon it, ensuring that the next twenty years bring even more outstanding achievements.

Lead City at 20 is not just a celebration of longevity but a testament to the power of vision, perseverance, and growth; from a promising idea to a respected institution, LCU’s story is one of transformation and impact.

Looking ahead, the university must continue to evolve, keeping pace with global academic trends while staying true to its mission. Whether through the expansion of its research capabilities, increased industry collaborations, or the continued development of its students, LCU’s future is filled with possibilities. The past twenty years have been remarkable, but the next two decades hold even more significant potential.

For students, alums, faculty, and stakeholders, Lead City University is more than just an institution—it is a community, a movement, and a legacy in the making. As the university steps into the future, it does so with the same ambition and resolve that fueled its inception. The journey is far from over; in many ways, it is only just beginning.

. Falola is Professor Emeritus in the Humanities Lead City University.

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