Opinion
Kole Omotoso (1943-2023): A Chemistry Of Fiction And Faction
Published
1 year agoon
By Toyin Falola
Within the field of African literature, the famous figure of Professor Kole Omotoso stands out as a luminary, exemplifying extraordinary intellectual acumen, firm ethical convictions, and steadfast devotion to advancing the welfare of society. He is seen as a figure who illuminates the way for others. My deepest condolences go out to the family, friends, and colleagues of this remarkable Nigerian author and professor, whose passing at 80 has left a legacy that will be felt for a long time in the world of literature and beyond. We were separated by two houses at the campus of the Obafemi Awolowo University, and I knew his late wife and three children in the 1980s. He supported my projects, most notably The Encyclopedia of the Yoruba, to which he contributed an entry and money for its free distribution.
Prof.Kole Omotoso
Professor Omotoso is a highly esteemed scholar in the field of African Literature. He established himself as a prominent figure within the literary community by demonstrating extraordinary knowledge of various literary genres, showing competency as a playwright and essayist, in addition to his noteworthy achievements as a novelist. His writing abilities are readily apparent in his significant works, such as the books The Edifice, The Combat, and Just Before Dawn, on which I was privileged to have organized a Workshop. Each piece of his work thoroughly analyses the human condition by digging into topics such as personal identity, cultural dynamics, and the intricacies inherent in post-colonial African society.
In addition to his literary accomplishments, the quality that most distinguished him was his unshakeable commitment to maintaining his moral integrity. Professor Omotoso believed that the formation of human identity should be based on ethical standards, and he demonstrated these ideals by committing himself with unflinching determination. His writing was always infused with a powerful sense of integrity and conviction, which made them powerful catalysts for the development of society.
Throughout his life, Professor Omotoso was a zealous champion for folks on the periphery of society. As a result, he was looked up to as an inspirational figure by succeeding generations of authors and thinkers. Amid oppressive ideologies and authoritative governance, he courageously spoke the truth to those in positions of power. He did not fear the potential repercussions, aligning himself with the general populace to facilitate constructive transformations. His dedication to social justice was clear from his writings and his active participation in initiatives to support underrepresented communities and further values of fairness and impartiality. This made his commitment to social justice more obvious than it would have been otherwise.
Professor Omotoso exuded a sense of infectious confidence because he was convinced that his work ought to be self-explanatory. This belief was the source of his self-assurance. His literary works provided enjoyment and information, posed challenges to prevalent social problems, and pushed for a more just and equitable society. One of his most notable contributions to the field of African literature was his participation in the compilation of the anthology Modern African Literature, in which he collaborated with other esteemed writers. These efforts contributed to establishing African literary discourse as a canonical body of knowledge, which was one of his goals during these endeavours.
Professor Omotoso established himself as a prominent figure and an influential member of his social circle by taking a pragmatic approach to drawing attention to his actions, or lack thereof. He made a conscious decision to forego the pursuit of monetary fortune, focusing his energy on maximizing the transformative potential of his writing instrument rather than accumulating wealth for himself. Respect and reverence were bestowed upon him by those who had the good fortune to become acquainted with him because of his devotion to his values.
Professor Omotoso’s dedication to equality and fairness exceeded academic considerations. Omotoso fostered a spirit of camaraderie and generosity by cultivating robust interpersonal connections with individuals across various hierarchies. As a result, those with whom he connected were profoundly and indelibly impacted by this spirit. His compelling pedagogical style was an inspiration for a large number of students, which helped to establish him as a beloved mentor for aspiring authors and thinkers. Also, his genuine dedication to providing attentive support and doling out excellent advice further cemented his role in this capacity.
Professor Omotoso’s literary works are potent representations of his firm commitment to bringing about positive social change, and they function in this capacity admirably. He demonstrated a dual position within society, acting as a sharp observer and an involved participant. He also used his literary skills and works to advocate transformative measures, question prevalent norms, and stimulate constructive undertakings. His words have been an inspiration to a great number of people, and his thoughts will continue to provoke profound reflection and contemplation in the minds of readers all over the world.
Transcending territorial boundaries, Professor Omotoso’s literary skill has earned him acclaim and respect on a global scale. His works have been published in several countries, surpassing the bounds of geography and earning broad recognition and respect from readers worldwide. International fame was bestowed upon him due to the excellent ways he portrayed the complexity of human nature and African culture in his writing. The penetration of his literary works allowed the promotion of African literature to a wider spectrum of readers, enabling individuals from various cultural backgrounds to actively interact with his enthralling narrative.
Professor Omotoso rose to fame as a highly sought-after presenter at several global literary gatherings, academic conferences, and cultural festivals due to the growing acknowledgement of his achievements. His captivating narrative style and astute analysis of societal issues kept readers and listeners interested in what he had to say. By participating in these exchanges, he developed connections with authors and academics from different countries, thereby cultivating an international network of intellectual luminaries who shared the same goal of fostering intercultural comprehension and achieving societal change.
Notably, Professor Omotoso’s efforts to promote the transmission of African literature on an international scale played a significant part in increasing his admiration within the greater global literary community. He successfully challenged the prevalent Western-centric perspective on literature through his written works. In doing so, he expanded the intellectual horizons of global readers by demolishing preconceptions connected with Africa and ending misconceptions about the continent. In addition to his role as a professor, he played a substantial and pioneering part in the academic research field of African literature. His contributions have been both significant and groundbreaking. As a result of his extensive understanding of African oral traditions and the merging of those traditions with written literature, he produced powerful works that significantly altered the academic discussion.
Professor Omotoso’s scholarly works and literary compositions delve into the complicated interplay between culture, language, and literature. They illuminate the profound importance of language as a formidable instrument for preserving cultural legacy and articulating individual identity. His analysis in his writings highlighted the intricate interrelationships between literary texts and socio-cultural situations, offering a better understanding of common literary practices in Africa.
During his work as a teacher to many students, he was an example worthy of emulation, encouraging an emerging generation of academics to become involved with African literature. His scholarly contributions went beyond the scope of his research pursuits; therefore, he significantly impacted the academic world. This, in turn, was a factor in establishing a family tree of academics committed to investigating the complex and varied parts of the literary heritage of the African continent. Professor Omotoso’s literary works captivated readers and permeated various art forms. As a result, they have contributed to enhancing popular culture and elicited innovative responses from audiences. His engaging narratives have been brought to life through lively enactments in several literary works.
Furthermore, Professor Omotoso’s body of work has motivated contemporary artists, musicians, and visual producers to attempt to capture his narratives’ essential ideas and motifs within their creative mediums. The tales he constructed were a backdrop for intellectually stimulating artistic renditions about issues such as personal identity, societal equity, and the enduring strength of the human spirit.
Professor Omotoso’s work evolved significantly throughout his career, echoing the shifts that have taken place in the literary world and the social environment through which his narratives have been analyzed. The author’s earlier works garnered praise from reviewers for their insightful assessment of Nigerian society and their captivating representation of diverse characters attempting to navigate the difficulties of a post-colonial setting. These aspects of his work were particularly lauded. As he proceeded to investigate the complexities surrounding identity and cultural heritage issues, he gained recognition for his ability to successfully reconcile the contrast between traditional and modern components. This capacity served the purpose of highlighting the universal character of human experiences, which transcended cultural boundaries.
Professor Omotoso’s literary style underwent a discernible evolution as he progressed down his career path, gradually becoming more nuanced and including elements of experimentalism in the process. His works displayed a tremendous command of the English language, adopting intricate literary strategies to effectively transmit deeper levels of relevance. Critics have praised Omotoso’s talent for evoking a range of feelings through evocative imagery and poetic language. This has helped establish him as a leading figure in literary history renowned for his profound intellect and refined artistic sensibilities. His distinctive literary voice garnered increased attention and admiration due to the expansion of society’s ideas on African literature. Due to his propensity to challenge preexisting standards and experiment with alternative narrative structures, he was often regarded as a seminal figure in the history of literary innovation. This forward-thinking approach to African storytelling broadened the minds of aspiring authors and provided them with new paths to investigate, which enlarged their horizons.
As we reflect on the passing of this towering figure in the world of writing, we are compelled to realize the huge void that his passing has left within the world of literature and among those who were fortunate enough to have known him. His life and efforts have unquestionably left a positive legacy that has impacted our globe and will continue to impact future generations. This is a legacy that will endure for generations to come. Professor Omotoso’s excellent contributions have not only improved the field of literature but have also served as a source of inspiration for meeting the many problems that can be found in the world with an amazing level of bravery.
By remembering the life of Professor Omotoso, I am paying tribute to the one whose ideas and principles will continue to profoundly impact intellectual and emotional spheres into the foreseeable future. His significant contributions to literature, his dedication to advancing social fairness, and the mentoring provided to aspiring intellectuals have left an indelible mark on the literary conversation in Africa and beyond. For all of us, his literary legacy will continue to serve as a wellspring of motivation and illumination, and we pray that his soul will rest in eternal peace.
Kole, your tent pitched with the great
lined up with Petronius,
unravelling communal senses,
beating common sense into towers high.
So, the apex would mumble to beat back,
repairing the town or tuning you out of it.
Omotoso, keeper of the collective wisdom.
Well-laid down like Ifa,
provoking, invoking, and unveiling metamorphosis;
that could drive Africa to the coast of Olokun and Olosa,
bringing coveted hope, faith, and fate
Through ink-stained nights, rays from glass-stained windows
a golden heart and parchment’s grace,
you weave a tapestry of the human race,
and of Africa, of its giant and the rainbow nation
With quill in hand, scrolls allayed, and dreams in sight,
a vision and path, clear, bold, and right you crafted.
You spoke to the soul of the Giant of Africa,
Planting seeds on its soil to quicken it.
Told its crippling wills and limbs,
Of silent stories vast, and of salient hopes that feed
The minds of millions, young and old,
to hold the head to work the body.
Bankole Omotoso, your Baba named you well,
He saw the vision of a jewel social builder,
Building the mind, the town, and Africa.
You are an African pride evidenced by scrolls,
By your art, you called the world, and it marvelled
The Yebo Gogo man in the heart of the Rainbow Nation,
Painted joy, imagination, and theatrics,
Engaging the freedom calls,
The streets’ salutations,
And the limp for hope.
Just before dawn,
They say the darkest hour prevails.
But you, an epitome of hope of the dawn to come
Have left just before the dawn
You raised the dusk
And disappeared in the midst of this dark
From this plane, you have transcended,
But Kole, you have scrolled the fireflies,
Lighting our paths through these darks
Your ship might have sailed at Cape Town
But from the crust of the Soweto,
Through Johannesburg and the surge of Lagos,
To the cradles of Akure, where it all began,
Your footprints are evident even on the rocks
Good Night, Yebo Gogo Man.
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By Leo Igwe
The Advocacy for Alleged Witches (AfAW) is concerned over the reported arrest of two men accused of being ‘witchdoctors’ in Zambia. The arrest underscores the potency of witchcraft fears and the connection between occult anxieties and the country’s politics. These individuals were accused of trying to bewitch the Zambian president, Hakainde Hichilema. The police claimed that they had charms. They planned to use the charms to harm the president. The report says the two persons have been charged under Zambia’s Witchcraft Act. The Act criminalizes “possession of charms”, “professing knowledge of witchcraft”, and “cruelty to wild animals”. The police found the two with assorted charms, including a live chameleon.
This development is utterly embarrassing and shows that the Zambian government is slowly losing its focus and bearing.The country has many socio-economic challenges. Suspicion of bewitchment or possession of charms should be the least of its worries at this time. There should be no place for witchcraft and possession of charms in modern politics because there is no evidence for these beliefs and practices. Zambian authorities should not weaponize the Witchcraft Act or use it to justify this incident. Zambian law does not recognize witchcraft. Zambia’s Witchcraft Act criminalizes naming or imputing witchcraft. It prohibits accusing or threatening to accuse any person of being a witch or a wizard. In this case, it is the police who are breaking the law.
Otherwise, how did they know the two individuals were ‘witchdoctors’? Did these persons identify as witch doctors? If not, the police are liable because they named and imputed witchcraft and have to prove that these individuals have witch-doctoring powers. The police claimed to have charged these individuals for possessing “assorted charms”, including a chameleon. Really?
The police in Zambia have questions to answer: What are charms? How did they know that what was in their possession were charms, not pets? Is a chameleon a form of charm? What makes possession of a chameleon possession of a charm? When and how does a chameleon become a charm? The police need to answer these questions and more before one takes them seriously.
Again, did the individuals describe what was in possession as ‘charms’? If they did, does confessing or designating something as a charm make it a charm? And if they did not, the police are liable because they need to prove how those possessions translated into charms.
In addition, the police claimed that the duo wanted to bewitch the president. What does that mean? How did they know? Are the police not contravening a provision under the Witchcraft Act by professing knowledge of witchcraft? Can one harm another person using a chameleon? They claimed that the two persons wanted to use the charms in their possession, including the chameleon to harm the president. How did they know that? What is the evidence for that?
The Advocacy for Alleged Witches calls for an end to this state-sponsored witch hunt. There is no evidence of harm through witchcraft or charms. The Zambian government should desist from witchcraft- related infractions and violations including arbitrary arrest, and detention of innocent citizens. These allegations are baseless and absurd. The arrest was politically motivated. This development demonstrates that Zambian authorities are out of sync with their duty and obligation to uphold the rule of law and protect accused persons.
Zambian authorities need to act in compliance with the 2021 UN resolution, which urged states to take measures to combat abuses linked to witchcraft beliefs and ritual attacks. End witchcraft allegations in Zambia. End witch hunts in Africa now!
Dr Igwe directs the Advocacy for Alleged Witches.
By Tony Afejuku
The other burning issue, apart from Farotimi and Babalola’s, which I wish to take a look at – and which I am taking a look at now – relates to what is happening in our capital territory. What is this burning issue – which our human rightists and civil society organisations and personages are surprisingly and un-satisfactorily not inclined to focus attention on and examine as they should? I may be wrong, but it surely seems to me that this issue, this burning issue, which is of more importance than Farotimi and Babalola’s – which has been given undue adulation – is deliberately being neglected and depreciated by proclaimers and heroes and heroines of human rights, justice, equity and equality of rights in your country my country our country. Why, why, why and why, why, why? Anyone who has any iota of patriotic sensibility, feeling and judgment well watered and buttressed by a very great influence upon his or her critical judgment will keep on asking the question I am asking.
Mr. Nyesom Wike, as almost everybody who can read and write a little knows, is the current minister of your, my and our Federal Capital Territory. His post or office is akin to that of a governor of a state. As the immediate past governor of Rivers State who was drafted, after his two terms there expired, to continue in the FCT as its new minister-governor or governor-minister under the auspices of a party he is not a true member of, Mr. Wike cannot but be seen as a lucky man. He is in every possible and impossible way. Minister-Governor Wike is a lucky man and a very fortunate one indeed. No former governor of Rivers State (or of any Nigerian state), as far as I know, has achieved what the famed political rouser of rabbles has achieved in one short gubernatorial life-time, and at a relatively young and fertile age. His dual achievement with and in two different political parties at this delicate point of Nigerian politics indicates to our politicians and us all that there is always time for a reminder that there are ready-made high rewards for arch-angels of betrayals. And Mr. Wike may go down in Rivers and Nigerian history as both an arch-angel and an emperor of betrayal of us all if we attempt to indicate what I have defined here as his dual achievement.
We can roughly divide, briefly, Wike’s political development into two periods. During the first, excluding his lower political positions before he became the governor of Rivers State, he quickly adapted his style to that of an emperor who became a rabble-rouser of rabble-rousers whose gubernatorial efficiency moved from stiffness to stiffness. He did not at any time feel that he needed suppleness to govern Rivers State. “Let the heavens fall if they must fall!” We are not there yet in this attempted analysis of the stiff-hearted and stiff-minded one. True? But he is already demonstrating this characteristic in Abuja. False? Judge and give the answer yourself.
Even after he left Rivers State a short while ago as governor, he is still trying to control happenings there to the political discomfiture of his hand-picked successor, his erstwhile “boy” and “son” – with whom he has fallen out. As the minister-governor or governor-minister of the FCT, Wike is occupied with the other taste of the emperor-juggernaut formulator – doing the work of two key political masters in one room and desk of political jugglery. Since his appearance in the FCT, minister-governor or governor-minister Wike has allegedly attempted to recover or transform for Abuja what is not traditionally or socially Abuja’s, for example, the city’s social idiom and landscape and terrain as well as its environs. In doing this he sometimes over-steps his bounds and mark of human/inhuman decency/indecency and psychological understanding of human nature, if you follow well what I am saying; he has so far become at best not really better than a typical pedestrian Nigerian lawyer and officer of political power: in his explorations so far in the Federal Capital Territory we have come to the realization, as T. S. Eliot would say, that “it is so often true that only by going too far can we find out how far we can go.” But one has to be a very negatively obstinate and self-serving emperor and a thorough-bred arch-angel of betrayal of the people and masses to justify such perilous and perfidious expeditions and adventures.
Last week, I saw on Arise Television “The Morning Show” Chief Rita Lori-Ogbebor, the dutiful widow of the late Nigerian supreme patriot and soldier, Colonel Ogbebor (of Benin stock) battling, so to say, to wrest the legacy of her late husband from the tight grip of the adventurous FCT minister-governor who has registered his name and signature in the hearts and consciousness of the people as the depriver of their possessions. The three anchors of “The Morning Show” were in their respective ways splendid in their structures of remarks and questions to Chief (Mrs.) Rita Lori-Ogbebor whom I have had occasions in times past to call patriotically Rita A-K 47 on account of her natural right to fire her beautiful tongue at any person, usually an enemy, of just actions. When she made the case she made to protect the estate of Paulosa Nigeria Limited, her late husband’s aforesaid legacy in the FCT, she was in her natural territory, habitat and element where even at age eighty-four, she never ever loses her stability – although she unusually restrained herself in the Arise Television appearance. Dr. Reuben Abati, Rufai Oseni, and Ayo Mairo-Ese clearly explored seriously but delightfully the mind of the mother-hen of Warri – my other coinage and appellation I gave her in my poetry. Her “The Morning Show” appearance enabled me to see the poignant cry de profundis of the FCT inhabitants whose property and residences in different guises have been demolished. She did not say anything that was out of joint. She spoke and came out as a mother, protector and symbol of the people who have suffered – and are suffering – from the state of affliction and anguish Wike’s demolitions have placed – and are placing – the people.
Ojy Okpe in her delicious and delectable “What is Trending” slot on the same show, showed without exaggeration but with further elaboration what people in and outside Abuja/FCT think of the mighty Wike’s demolitions, a burning issue that the Senate has asked “Let Heaven Fall” minister-governor Wike to halt as the committee the Senate set up on the issue starts its work. Of course, we cannot but assume that Chief Rita Lori-Ogbebor, Mrs. Natasha Akpoti-Uduaghan as well as Mrs. Ireti Kingigbe, the senator representing the FCT in the Senate and other patriotic senators diligently did what they did on the floor of the Senate when the burning issue was tabled for debate with the gracious understanding and authorization of the Senate President.
I need to state further that the “The Morning Show” anchors did well and extremely so by giving the minister-governor the opportunity to air his anti-Paulosa story. His senior special assistant on public communication and social media, Mr. Olalere Olayinka, stood in for him. After he gave the reasons for the clamp-down, his responses to the questions the anchors put to him followed the usual pattern of denials by artificial men in power – denials that they always use to intimidate and betray the people. In fact, Mr. Olayinka’s ploy to ride easily over our dear Rufai Oseni, a wholesome representative of the deprived, that the chap (or is it guy?) and his boss always employ their colloquial speeches and remarks to dishonor, failed. Yes, the ploy failed woefully. In stanza after stanza of the exchanges between Mr. Olayinka and the Arise anchors, he deteriorated – and his deterioration was hall-marked when he unwittingly revealed that the Paulosa land had been acquired by his minister-governor’s close cohort, an act that was nothing short of gross abuse of power and authority.
Because the Senate is already using its authority, power and privilege to resolve the burning issue, hopefully, in a way that the late Colonel Ogbebor’s legacy and family will not be subjected to any kind of degradation, I will utter no more words for now. I trust, however, that the liberties the Senate is taking – or has taken – are for the sake of order to favour the down-trodden.
As for the minister-governor, the PDP emperor at large, here is an immortal quote from Marcus Aurelius, the magnificent and authentic Roman Emperor and philosopher (A.D. 121-180): “If it is not right, do not do it; if it is not true, do not say it.” You lose nothing by giving us a slice of your humanity by your right acts and correct words. Everything changes and passes. Be humane as a human being.
Afejuku can be reached via 08055213059.
By Leo Igwe
Recently, I facilitated a critical thinking workshop at the Bay Wreath Schools in Lagos. The theme was critical thinking and teacher development. As the theme stated, the workshop was on teaching, about teaching, and for teachers. It highlighted the pedagogical value of critical and reflective inquiry. The workshop exposed teachers to critical mental habits and skills. It emphasized how critical thinking would enhance expertise in the learning and delivery of subjects in classrooms.
I used the opportunity to discuss questionstorm as a method of teaching and learning. Questionstorm is a way that I operationalized critical thinking for primary and elementary schools. Questionstorm is the ability to interrogate all objects and materials. It is a habit of questioning ideas and experiences in all areas of human endeavor. Simply put, questionstorm is a question-driven inquiry. Children are naturally curious. They thirst for knowledge and understanding. Unfortunately, the school system kills children’s curiosity and dampens their interrogative appetite. The school system places much emphasis on rote learning and memorization. It makes the generation of answers not questions or problems the test of knowledge, and the determinant of intelligence. Teaching is largely a drudgery, a monotonous exercise, and a process of depositing knowledge on passive recipients, the students. Teaching entails dumping information on learners whose duty is to cram and reproduce during tests or examinations.
This teaching praxis has been criticized and blamed for the poor performance of students post-school (college and university) and their inability to think independently, creatively, and innovatively. Other teaching methods have tried to address these gaps and limitations. There have been suggestions to make teaching and instruction more active, and more student/learner/child-centered. One such method is the Montessori method. The Montessori method discourages grades and tests as ways of measuring achievement or determining intelligence and excellence. It emphasizes hands-on learning and the development of real-world skills. While the Montessori method stresses the practical approach to learning it says very little about the authoritarian teacher-to-student approach that is the mainstay of teaching and learning in classrooms. Teaching follows a pattern that leaves students and learners in the margins and unable to question and contribute to the learning process. Teachers present what is to be learned such as a text, and then generate questions that students respond or address to demonstrate knowledge of what has been taught. The student’s or learner’s main job is to answer questions, to look for or find answers or solutions. The teacher’s work is to get students to look for, and provide answers, and reproduce what they have been taught or told. But students are answer-depots. Students are not memory banks or reserves. They are active minds and thinking agents.
With questionstorm as a teaching method, the mode of instruction would change. Teaching becomes a cooperative endeavor that actively involves teachers and students. What is taught in the classroom is a collaborative note, not the teacher’s note, not a handout to students. Teachers present or generate texts or objects for learning, in response to intense questioning of the object or material by students, teachers provide information as required for that subject, topic, level, and time frame. No two instances of teaching – of the same topic or subject- are or should be the same because the input of students and teachers is not predetermined.
This is because of an overlooked principle in teaching and learning, that I call the “uncertainty principle”.
The uncertainty principle underlies questionstorm because knowledge is not fixed. Learning is a fluid process. All that is to be learned is uncertain, it is unknown and never determined. No teacher can say beforehand what is to be taught or learned because no one knows exactly the questions and answers or replies that would arise when a topic is presented or taught in a particular class. A topic or learning material elicits unique responses and exchanges that both teachers and students cannot exactly know or predict a priori, before the fact.
Teaching is a shared task and responsibility. Class notes are fluid materials. They are not texts cast on educational stones and delivered by teachers to students to copy, cut, and paste as is often the case. Class notes are not written or produced by teachers for students but by teachers with students. Teachers’ notes are incomplete and insufficient. They account only for a part, not a whole of the learning process and material. Students’ input completes and complements the teaching material and learning process. Thus every class note is unique because it is a product of a specific collaborative endeavor, a product of particular teaching and learning agents and circumstances that cannot be repeated or replicated.
Thus, as a teaching method, questionstorm is set to facilitate teacher development and improve the quality of instruction in schools. Questionstorm will help realize a paradigm shift in education and learning. I hope educators, teachers, and school managers will embrace this method of teaching and learning.
Dr Igwe directs the Critical Thinking Social Empowerment Foundation.
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