Opinion
Mr. Macaroni And Cultural Politics
Published
3 years agoon

By Toyin Falola
Human evolution is a scientific reality that reveals the nature of becoming human. By evolving to the full realisation of humans, nature teaches us that the construction and calibration of ideas in every human society and civilisation involve a critical process of superordinate experiences where unwanted particles of ideas are repealed and important ones are incorporated from time to time. The moment humans understand they have a similar physical identity and a common goal to survive in the jungle we call life, their awareness compels a corresponding social behaviour, unanimously accepted because of the drive to outsmart other creatures sharing the environment with them. Here comes the ground reason for the development and evolution of culture. The culture of a society comprises the foundational resources from which every other ideological or ideational construct is drawn. In essence, a people’s culture would ultimately reflect in all aspects of their lives, no matter how insignificant this reflection may be. In other words, a people’s culture may influence their socialisation process and system, political ideas, religious identity, and even general human philosophy. These are the core tenets of human identity everywhere in the world.

Mr Macaroni
If political ideas, like other markers of human identity, are exclusively determined by the arbitrary assimilation of in-group values, the logical question would be how is it possible for the same people to teach ideas of otherwise different humans and, by implication, cultures, as it is generally believed that these ideas will most predictably disrupt or sometimes tamper with their identity? The readily available response to such an imaginary question is that as long as humans interact with other groups of people, they have the possibility of embracing much of their in-group ideas, even when they sometimes run at variance with the individual’s primary identity. In essence, an English person can adopt the political culture of Greek democracy through cross-border movements and transnational economic exchanges, and an Indian can decide to be a Confucianist through similar processes. However, what is predominantly undebatable is that ideas not produced from one’s native identities are always laced with characteristics that would show their obvious departure from the source when adopted. Therefore, we can talk about American democracy not as we would talk about the Indian democracy because these civilisations have injected attitudes and attributes of their indigenous identity into their political ideologies.
READ ALSO: Debo Adedayo: Mr. Macaroni And Socio-Political Activism
Consequently, if we talk about politics among African people, especially from the postcolonial lens, we will be doing many disservices to the system if we disengage the African cultural dynamics from its making. While politics gives a comprehensive dissection of human and administrative affairs management, their cultural traditions reveal how these systems will be operated. Thus, the place of culture in these political architectures is respected poignantly, and the moment there is a flagrant repudiation of this unwritten code, there will be eruptions in the system, capable of leading to its colossal disaster. This leads us to the concept of cultural politics and the various dynamics in the African political landscape.
Every human civilisation has a political system with ideas and values; however, it can succumb to cultural traditions’ superordinate or superimposing hands. Debo Adedayo, aka Mr Macaroni, is a well-grounded Nigerian in cultural politics who understands that while activism is a vital instrument of political negotiation and an effective means of demanding leadership accountability, the place of culture in the actualisation of all these remains strategically emphatic. Given this understanding, he makes himself available to the dictates of culture even in his artistic activism against unbridled leadership that has long permeated the political fabrics of the country.
The marks of a great individual are visible to see. These signs may not be easily obvious for people to make meaning of, but they are always there because the signs are the accumulating forces that propel the individual to attain greater heights in their subsequent years. Although not everyone experiences challenges and issues that draw out these marks of greatness at difficult times, that become great in life, there has never been a great person who did not experience a body of challenges in their course of growth and the process of becoming. Among other eventful experiences that Mr. Macaroni has had as an evolving young man, a defining one tried his resolve as a student leader representative in the Redeemer’s University, a faith-based institution that produces quality people.
READ ALSO: Court Orders Release Of Mr Macaroni, Other Arrested #OccupyLekki Protesters
Due to the nature of his representative position, he was supposed to deal with different quarters of the school’s administrative organogram where negotiation, concession, and collaboration are necessarily required so that the positions of the people he represented would not be jeopardised or threatened. He was stuck at a particular time because of the difficulty between him and the management body, but because he made himself available to assimilate more cultural ideas, he was baptised into the crucible of cultural politics through his engagement and conversation with Professor Wande Abimbola.
And this is where modernity, human evolution, and cultural traditions meet. As humans uncover a new form of technological invention or innovations powered by the continuous use of intellectual power, they are always compelled by the situation to reconsider their culture, politics, and economy, too, because all these are always coming with their corresponding impact on all available structures. For example, consider that the emergence of the internet has completely redefined human communication and its distribution. With the internet, there is a continuous probing of cultural ideas, forcing cultural ideas that cannot withstand the pressure of scrutiny to fall off the surface. Mr. Macaroni was trained to be a thespian in the university, but his leadership involvement entrusted him with speaking for the people’s rights. Whereas that order is meant to be challenged by the force of society where he will begin to navigate his world after graduation, accepting leadership responsibility is possible if he would integrate the emerging realities into his dreams and ambition. It is possible to actualise one’s ambition in an era where the internet has created a parallel space occupied by humans with the power to conduct their normal day-to-day activities without human contact. Mr Macaroni took the stage to another level when he understood that possibility.
Debo Adedayo chose the internet and the social media platforms as his stage, where he delivers the truckload of ideas that his professors, especially Professor Ahmed Yerima, a seasoned playwright in Africa, imparted to him while at the university. Though it took him long to understand that the stage does not have a specific physical reference, the moment he updated his understanding of a stage as a space where others can access one’s fictional performances, he immediately began to explore ideas and the orientation accumulated as a student learning under the four walls of the school and also as the leader of a body of students from whom the responsibility of protection, quality representation, or positive relationships are expected as a basic contribution.
By exploring the internet as his environment of action, Mr. Macaroni has made substantial progress, speaking with a loud decibel throughout his works. He has produced works that crudely satirise the totalitarian posture of various government dispensations and, in addition to this, added a bit of physically demonstrated action to support the course of the common people as against pitching his tent with known oppressors. Whether he is deliberately choosing all these by himself (from being at variance with his university management to being the target of law enforcement agencies for the roles he played in the popular #EndSARS movement) is immaterial; what remains constant is that he has been in the limelight for leadership-induced responsibilities.
At some point, the Lagos State government invited Mr. Macaroni for a conversation on peace, which was believed to be necessary for the post-EndSARS period so that the vibrant generation of youth involved in the movement would not keep assuming that the government was flagrantly against their safety, ambition, and access to a decent lifestyle. This invitation, which he honourably declined, attests to the importance of the internet in formulating policies in contemporary times. It shows that the cultural traditions of every society with internet access are bound to be affected because communication, information dissemination, and consumption have changed for good. Cultural politics comes into play in this beautiful dimension.
READ ALSO: Police Arrest Mr Macaroni, Other #OccupyLekki Protesters
It should be emphasised that Mr. Macaroni’s rejection of the State’s invitation was inspired by his awareness that the internet community from where he won his recognition as an important representative is actively alive and would not tolerate the acceptance of class suicide. The punishment for this would have been the loss of his identity, economic sources, future ambitions, and his psychological or mental wellness. Considering all these, refusing the invitation would be a preferable sacrifice, which he did, not by dishonouring the governor’s seat but by highlighting why honouring the invitation would be a betrayal of conscience. Here is cultural politics outpacing every other thing.
With this feat, one would almost believe that Mr. Macaroni, who engages the government through his online media platforms, is a firebrand activist, especially if one is unfamiliar with his thespian background. However, listening to him for some minutes would immediately make one understand that he represents his childhood career choice of drama in his engagement. For one, he has truly been positively transformed to the point that he is not considered less than a cultural and theatre icon whose knowledge of how things work in the social media age cannot but be tapped into. He demonstrates his grasp of events by educating anyone who cares to listen that social media platforms are in their emerging stage and come with intimidating economic benefits that will immediately sweep people off their feet.
In essence, because change has inevitably happened, professors must accommodate these changes and incorporate them into what they teach to the students. Individuals in the school should not be denied embracing the internet and social media platforms as a place where they can put their talent to the test. The flexibility of the current time shows that one’s audiences are already available and scattered everywhere in the world. They will embrace what creative people produce when they find their content suitable. Therefore, it would not matter if the audience is in Russia; they will immediately have direct access to what you produce in Nigeria through social media.
This conversation brings us to the concept of satire in literature, which M. H. Abrams describes in A Glossary of Literary Terms as “the literary art of diminishing or derogating a subject by making it ridiculous and evoking toward it attitudes of amusement, contempt, scorn, or indignation” (2009: 320). Writers, dramatists, and other performers have substantially adopted satire from time immemorial because it provides them with soft-landing to express their inner feelings and desires, which can erupt into social reactions if not handled cleverly and satirically. The place of human culture is also important in the manoeuvring of satire, for without such observation, the message would be eclipsed in the process. Mr. Macaroni has been involved in several activism-oriented engagements to challenge the establishment of their outrageous political behaviour, unbridled and inordinate ambitions, and many other devastating problems that their engagements propel. However, activism at his stage and level cannot be organised as it was when he was a student. It would either be the product of reverberating annoyance, such as the one you find in the #EndSARS protest, or it will be masterminded by fully determined individuals who do not bother about the consequences of their actions.
But now, Mr. Macaroni has social media platforms, which he effectively uses to further his ideological convictions about representation. He uses satire, most of which reveals the biting decadence that has enveloped the country and how the intricacies of power have resulted in a socio-political compromise that triggers social and economic disparity, unrest, and even the overarching influence of law enforcement agencies in the country. Mr. Macaroni has produced numerous satirical acts that reveal how compromised the country’s political system is by introducing cultural politics to his engagements. By putting actions into comic plays, Mr. Macaroni has continued to engage the political class to educate them about their gross misconduct in the political domain.
Due to the commercialisation of Nigerian politics, followers sometimes make wrong choices that they know would have minimal impact. Because the system already is bastardised, injecting sanity into it has been impossible as the helpless youths who are denied generational access to financial power have been carefully cut out from the system. Since they are not actively involved, most of what happens to them are determined by those who do not share their feelings. In his little way, Debo Adedayo has always engaged the world’s denizens about what obtains on the political front in Nigeria. Amid all these, there is a place for every individual to make their marks as living organisms roaming the earth’s surface for a particular time. Much as the generality of humans is critically involved in the construction of human ideas and values, the combination of which gives or produces cultural traditions and identity, the fact that everyone would be remembered for their contributions cannot be undermined.
More so, the social media age helps to amplify the contributions that individuals make in their course of existence. Whether good or bad, they will be remembered for their activities when the lasting memory will be created from all these. So, when Professor Yerima asked Adedayo how much, or if at all, he wanted his artistic productions in the social media to influence the coming generation and how they would continue to be relevant even after he retires from these engagements, the young man’s response was everything anyone needs to understand about his ideological identity. He believes that assigning values to humans should be informed by the understanding that such an individual has something they represent and stand for in the general scheme of things. Inevitably, people will have experiences that will stretch their resolve but what will make them stand out is their determination not to compromise.
When individuals have made considerable progress in piloting the affairs of their lives, it is a moral responsibility that they touch on substantial aspects of human experience so that they can influence areas and issues positively before the termination of their relevance. The social recognition associated with Adedayo comes with expectations of responsibilities that people want him to fulfil as a social being. During the conversations, it became obvious that his role in redefining the feminine image by portraying every form of their social experience should be known. This is necessary because it is a conventional reality that silence on salient issues may be construed as conspiracy, which would have outrageous consequences on the individual. For many community members, remaining silent without any socioeconomic and sociopolitical power would mean nothing. However, to have substantial economic, social, and political power and remain silent when salient issues, especially those affecting women’s freedom of women, are mentioned is considered unforgivable.
Society expects that the magnitude of an individual’s popularity imposes corresponding social behaviour and contributions on them. For anyone in Mr. Macaroni’s position, it is not out of line to expect that they use their voices to project society’s anomalies so that it will receive ultimate redefinition. Of course, Mr. Macaroni has done this substantially in his depictions of political predicaments caused by the irresponsible leadership that Nigeria has encountered from time immemorial. He does not factor in sociocultural issues like the underage marriage popular in the country, improper political relations between men and women, cringing domestic violence that is ubiquitous in the country, and several other areas where women have been unfairly treated, and this has necessitated the question about his position in all of these. In response, he claimed that in his skits, he has addressed the issue of domestic violence faced by Nigerian women and how they can overcome it, with the promise to explore all other areas.
By and large, all these issues are closely related to political participation in the human world. It is important to say that the construction of an identity does not evade the contributions of many people because they all would partake in shaping a collective image for themselves through their actions and inactions. Humans are naturally complex, so they have continued to undertake various activities to ensure they remain proportionally relevant in all their engagements. Politics comes from their cultural understanding because it is the basis of their sociological and socialisation methods. Once an individual is baptised in the ideas and philosophies of their indigenous identity, they remain strong in representing the values when they come of age.
Debo Adedayo, aka Mr. Macaroni, has demonstrated his zeal for speaking out for the oppressed since his undergraduate days, and society has continued to mould him so that he will understand the dynamics of cultural politics and how he can effectively feature and make generational contributions.
Falola is a Nigerian historian and professor of African Studies. He is currently the Jacob and Frances Sanger Mossiker Chair in the Humanities at the University of Texas at Austin.
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Opinion
Stellenbosch: Senzeni Na And Decolonizing Secularity In Africa
Published
1 day agoon
March 11, 2025
By Leo Igwe
In December, I attended a workshop on Decolonizing Secularity in Africa. It was one of my best conferences because it highlighted issues that have worried me over the years. For the first time, I attended an academic conference on religion or secularism in Africa that featured a panel on atheism and humanism in Africa. Organized by Point Sud, this workshop was held at Stellenbosch in South Africa. Interestingly I did not know about Stellenbosch’s colonial history and significance. So I could say with the benefit of hindsight that the choice of Stellenbosch as a venue for this event was adequate. The goal of the workshop was, based on the coloniality of secularity, to interrogate the “liberating force of religion, the secular in ethnic nationalisms, and the ideologies of culturalization, not least in its current revenant, heritagization, in Africa and beyond”. It was great to meet, discuss, and exchange ideas on colonization, decolonization, religion, and secularity with scholars and activists from different parts of the continent and the world. Many issues that emerged at the conference have continued to agitate my mind. First is the so much emphasis on colonization. I have continued to wonder: Can’t we meaningfully discuss African issues without alluding to colonialism? Again, reference is always made to Western colonialism. What about Eastern and other forms? Many parts of America were colonized at one point or the other. Weren’t they? The same with Europe, Asia, and Oceania. But it is only in the case of Africa that there is an overemphasis on Western colonialism. Incidentally, many African scholars have unwittingly joined in explaining Africa through the lens of colonialism, western colonialism.
The fixation on colonialism is not without a reason. I attended an African studies conference some years ago and someone alluded to a comment by a Western scholar, that regarding Africa, before colonialism, there was nothing. There was nothing? I was shocked to hear that comment. Look, that I do not know or nobody knows about a period in history, does not mean that there was nothing. Is it not better to say I do not know than to make such a dimwitted statement? What applies to Africa, applies to other places in the world. There are stages in their histories nobody knows what happened. Or what is known is patchy. That should not be a reason to say that there was nothing.
One issue that engaged attendees was the meaning of ‘decolonizing’. What does it mean to decolonize? Some define decolonization as removing or undoing colonial elements and influences. And if that is the case, what do we remove or undo? And who does that and Why? how do we undo the Western colonial linguistic influence? What about the eastern and other colonial elements? Is it possible or feasible to remove or undo all colonial influences? By the way, is religion or secularity as introduced to Africa decolonized?
Some participants argued that decolonizing secularity implied going back in time before colonialism. So, how far can we go and why? In the process won’t we go back to that time “when there was nothing?” Can’t we decolonize without returning to the past? Can’t we decolonize looking forward and not backward? Is religion or secularity not an embodiment of layers of influences over the years? If we were to peel off these ‘colonial’ elements, what would be left? Some propose a return to the indigenous forms of secularity or religion as the case may be. The question is this: What does indigenous mean? Who defines or determines it? Is the indigenous the same for all? What is considered indigenous to South Africans may not be to Kenyans, Nigerians, or Malians. What is considered indigenous in a part of Nigeria may be a legacy of the colonial influence by another part of Nigeria. So what is indigenous to Africa is not monolithic and regionally applicable.
That leads me to another controversial issue that came up at the workshop, which is, one secularity or multiple secularities. Some of the participants especially those from the Department of Religion, at the University of Cape Town were of the view that there was one secularity, that is the western secularity is manifesting in other climes, in different forms. While other participants from Europe leaned towards the notion of multiple secularities highlighting forms of distinction and differentiation between religion and other social domains across cultures. Although secularism or secularity is Western in origin, what the concept represents manifests in other cultures and societies. Secularities predate Western secularity or manifest and feature in ways that do not fit into or align with Western secularity.
As I noted earlier, there have been colonialisms before Western colonialism. There have been secularities before Western secularity. Although Western colonialism brought the influence of western religion and secularity to bear on various cultures and societies, the colonial encounter does not negate the social differentiation of religion and other domains in these societies. It is only in seeing or articulating secularity in its multiple forms that these situations, dynamics, and intersections could adequately be captured. So, the concept of multiple secularities has enormous explanatory power. It is useful and helpful in highlighting the social distinction of religion and other domains in cultures and societies beyond the West.
For instance, western missionaries introduced christianity and the Christian god to Africa. What we have is one Christianity or Islam manifesting in different forms. Africans have adapted and reinvented the Christian religion over the years, hence the notion of African Christianities. Again while western Christian missionaries introduced Christian religion or religiosity, they did not introduce religion. religiosity, or the idea of god. There are other religiosities apart from and beyond Christianities/Christian religiosities. There are other gods and deities beyond the Christian god/deity. I think the idea of multiple secularities or multiple religiosities has much more descriptive value.
Another issue that came up at the event, not surprisingly so, was apartheid. One of the presenters analyzed the song, Senzeni Na (What have we done?) to buttress his point. I have never heard of the song. I didn’t know its relevance to the anti-apartheid struggle. In the course of the discussions, it was noted how other Africans including Nigerians are not conscious or sensitive to the pains of apartheid. I noticed from the expressions of some South Africans at the meeting that they were not happy with the nonchalant attitudes of Nigerians towards their experience. I believe that black South Africans are right to feel that way. The apartheid was a tragic experience that still hurts blacks in contemporary South Africa. The painful memories won’t quickly go away. Black South Africans should also understand that Nigerians have a different history and experience. They should also not forget that the Nigerian and other African governments contributed a lot to the anti-apartheid struggle. Nigeria supported Nelson Mandela and other heroes and heroines of the struggle.
Many South Africans do not relate to the tragedy of the Rwandan genocide as Rwandans do. They do not relate to the pain and trauma of the Nigerian civil war. In meetings and conferences, they treat these experiences and encounters lightly because these experiences were not a part of their history. As I noted during my conversations with some of the attendees, while I appreciate the pain and trauma of apartheid, Black South Africans must learn to move on because as they say in the Igbo language, Nke chi ka, meaning, the one yet to come, the future one, the one that belongs to tomorrow, is greater. The greatness of South Africa does not lie in the past but in its tomorrow, in its future. It does not mean that we should not refer or draw from the past. We should and we must. But South Africa is not returning to those days when Senzeni Na was sung. The country is forging ahead and moving towards a better and more glorious future.
This song provides a thrust for this forward and onward movement. It highlights the challenges that South Africans face and are facing. But more importantly, this song codifies the pain and suffering of all humans because all oppressed people everywhere; all who suffer persecution within and without South Africa are singing, Senzeni Na.
Igwe, PhD, was a co-convener of Decolonizing Secularity in Africa, Stellenbosch, South Africa, 9–13 December 2024.
Opinion
Commonwealth Day 2025: Together We Can End Witch Hunts And Ritual Attacks
Published
1 day agoon
March 11, 2025
By Leo Igwe
As we mark Commonwealth Day 2025, the Advocacy for Alleged Witches protests witch hunts and ritual attacks in Commonwealth countries, and the refusal of the Commonwealth to speak out against these abuses. In many parts of Africa, Asia and Oceania witch hunting is not a thing of the past but an ongoing wave of abuses and violations. In Commonwealth countries such as Ghana, Nigeria, Kenya, Papua New Guinea, persecution of alleged witches rages with force and ferocity. In Ghana, witch persecution results in the displacement of accused persons who then flee to some make shift shelters known as “witch camps”. Those who could not flee to these places like Akua Denteh are murdered in cold blood.
Witchcraft accusation is a form of death sentence for the accused and accused people are sometimes extrajudicially killed despite existing legislations in these countries. Witch trials take place in many countries of the Commonwealth. Trial by ordeal and jungle justice are meted out to the accused. Some weeks ago, an elderly woman who had dementia was accused of witchcraft and beaten to death in Nigeria. In Malawi, alleged witches are stoned to death. In Zambia some political opponents suspected of trying to kill the president using ‘witchcraft’ are standing trial at the state court. Alleged witches, mainly women, children and people with disabilities are attacked, banished, lynched, buried alive or tortured to confess to the ‘crime of witchcraft’.
Witch hunting persists because many countries and groups of countries like the Commonwealth have refused to speak out against these atrocities. The Commonwealth should break its silence on witch hunts and ritual attacks in member countries. It should join the UN in condemning these horrific abuses. The Commonwealth should add its voice to this campaign. It should highlight witch persecution and witch hunting during its meetings and summits. It should call for an end to abuses linked to witchcraft beliefs and ritual attacks. The Commonwealth Day should be an opportunity to recommit to ending this menace. It provides a platform to rally all countries against these violations. No nation should be left behind in the quest to make witch hunting history around the globe.
Together we can end witch hunts and ritual attacks in Commonwealth countries.
Igwe, PhD, directs the Advocacy for Alleged Witches.

By Toyin Falola
Our university is now an adult at 20!
About twenty-two years ago, the vision to redefine the frontiers of private education in Nigeria led to the conceptualization of the idea, which birthed a new direction for education. The thoughts and projections of like-minded educators and academic experts led to the establishment of Lead City University (LCU) as a beacon for progressive education in Nigeria. This development came when access to higher education was limited by rigid institutional structures and to federal, state, and a handful of private institutions.
At inception, LCU was envisioned as an academic environment that was expected to balance flexibility with skills and academic excellence. On this note, the university became fully operational in 2005, having scaled through necessary procedures for establishment. Since then, the university has positioned itself as an institution willing to break conventional norms by offering programs that blend theoretical learning with practical application. The goal was clear—to bridge the gap between academia and the real-world demands of the job market, ensuring that students graduated with certificates, competence, and confidence. Hence the word “enterprise graduate”.
Two decades later, Lead City University has become a household name in private tertiary education in Nigeria and earned the trust of parents, guardians, students, and the education community. From its humble beginnings with two campuses around Jericho and Challenge areas of Ibadan, the University has metamorphosed to its current state, reflecting the institution’s journey of ambition, resilience, and a commitment to continuous improvement. To reiterate, the university’s distinct blue, white, and pink colors symbolize the institution’s values for knowledge, human development, creativity and prestige, and excellence. At the same time, the university’s emblem, which depicts a fusion of knowledge, self-reliance, and technological orientation, is not just a design but a representation of LCU’s enduring promise to its students in equipping them with the tools they need to navigate life’s complexities.
In its formative years, Lead City University set itself apart by adopting an academic model that was both innovative and inclusive. Unlike conventional universities that adhered to a one-size-fits-all approach, LCU introduced learning structures that accommodated working professionals, non-traditional students, and young scholars eager for a more practical learning experience. This unique flexibility over time has attracted a diverse student population, making the university a melting pot of ideas and aspirations.
Significantly, and with every sense of humility, it is worth mentioning that the academic offerings at LCU have grown in milestones over the years. What started as a modest selection of undergraduate programs across the two campuses has expanded into a comprehensive curriculum spanning disciplines such as Business Administration, Law, Engineering, Social Sciences, Computer Science, and Mass Communication. More recently, the university reached a significant milestone with the approval and accreditation of its Medical and Health Science programs, including Medicine and Surgery, Pharmacy, and Physiotherapy.
These additions have broadened the school’s academic reach and cemented its credibility as a serious player in Nigeria’s higher education landscape. This has brought much credence to the school, its parent body, and every stakeholder within its system. This is because achieving accreditation for these highly sought-after courses required a high-level strategic investment in infrastructure, faculty recruitment, and curriculum development. The intensity of these has further proven LCU’s unwavering commitment to quality education.
Beyond the classroom, LCU has been at the forefront of promoting an education system that extends beyond academic achievements. It is an apparent recognition that learning should not be confined to lectures and textbooks. To achieve this, the university has integrated entrepreneurship programs, skill acquisition initiatives, and industrial partnerships into its curriculum as a proactive measure for students to withstand today’s competitive job market, where traditional employment opportunities are increasingly fizzling out. It is a welcome development for a 21st-century school, as graduates need more than theoretical knowledge. They need adaptability, innovation, and more practical experience to fit in. It gladdens the heart to know that LCU understands this reality and has taken deliberate steps to ensure its students are equipped with these critical skills.
A defining aspect of the university’s impact over the past two decades has been its emphasis on accessibility. The tradition before was that private universities in Nigeria were often perceived as elitist due to their tuition costs and the social class that enrolled. At one point, there were similar issues with enrollment, as many were not convinced that it was a school their wards could attend.
To mitigate this, LCU has consistently worked to change the narratives by providing scholarships and financial aid to deserving indigent students. These scholarships, awarded based on merit and financial need, remind the institution of its commitment to inclusivity. These opportunities have been life-changing for many students who might have otherwise been unable to afford higher education. By ensuring that education remains within reach for those who need it most, LCU has once again demonstrated its commitment to shaping futures.
Looking at the trajectory and quality of academic delivery obtained in the school, one cannot salute the decision to have a well-grounded faculty. Faculty development has been another cornerstone of LCU’s success. After all, an institution is only as strong as the quality of its educators. Hence, there is a deliberate commitment to recruiting experienced lecturers, researchers, and industry professionals for its academic team. Over the years, the university has built a faculty that blends theoretical expertise with real-world experience. This approach ensures that students are not just taught from textbooks but are mentored by individuals who have made significant contributions in their respective fields. By fostering an environment of mentorship and academic research, the university has maintained high teaching standards, preparing students for professional and educational pursuits.
The physical transformation of Lead City University over the past twenty years is also worth noting. The university, which began with a modest campus, has since expanded into a thriving academic hub, complete with modern lecture halls, state-of-the-art laboratories, well-equipped libraries, and recreational facilities embedded in an architectural design that reflects a blend of tradition and modernity, creating an environment that is both inspiring and conducive to learning. These infrastructural developments are a testament to the university’s long-term vision to make learning conducive in a friendly atmosphere.
However, LCU’s journey has not been without challenges. Like all private institutions, it has had to navigate the complexities of Nigeria’s educational sector, including regulatory policies, economic fluctuations, and the evolving expectations of students and parents. For instance, the unpredictability of the country’s economy has often made financial planning difficult for the institution and its students. Yet, through strategic planning and resilience, LCU has continued to evolve, adapting to changes while maintaining its core mission.
The role of technology in education has also become increasingly significant in recent years, and LCU has recognized the need to integrate digital learning into its academic framework. The COVID-19 pandemic disrupted educational systems globally and became a wake-up call for institutions to adopt more technologically driven learning methods. LCU strengthened its digital learning infrastructure, enabling students to continue their education remotely. The university’s investment in e-learning platforms, virtual labs, and online course delivery models reflects its readiness to embrace the future of education.
At one point, the university displayed mastery of digital tools to drive enrollment. This was in the wake of low enrollments, especially as very few citizens of Oyo State see the school as a prospect. During this period, the university had a large number of its students coming from outside the state. In response, the dedicated marketing teams deployed various traditional and digital tools, effectively utilizing social media, newsletters, and email marketing to achieve outstanding results. This is but a display of innovative thinking by a core department in the school.
As Lead City University celebrates its 20th anniversary, it is at a critical juncture that demands an even more significant commitment to innovation, research, and global academic engagement. The next phase of its journey will undoubtedly require a stronger emphasis on technological integration, expanded research initiatives, and deeper collaborations with local and international institutions. The university has already laid a strong foundation, but the challenge is to build upon it, ensuring that the next twenty years bring even more outstanding achievements.
Lead City at 20 is not just a celebration of longevity but a testament to the power of vision, perseverance, and growth; from a promising idea to a respected institution, LCU’s story is one of transformation and impact.
Looking ahead, the university must continue to evolve, keeping pace with global academic trends while staying true to its mission. Whether through the expansion of its research capabilities, increased industry collaborations, or the continued development of its students, LCU’s future is filled with possibilities. The past twenty years have been remarkable, but the next two decades hold even more significant potential.
For students, alums, faculty, and stakeholders, Lead City University is more than just an institution—it is a community, a movement, and a legacy in the making. As the university steps into the future, it does so with the same ambition and resolve that fueled its inception. The journey is far from over; in many ways, it is only just beginning.
. Falola is Professor Emeritus in the Humanities Lead City University.
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