Opinion
Prince Yemisi Shyllon: Protecting Arts, Preserving History, And Promoting Peace
Published
2 years agoon

By Toyin Falola
On December 3, 2022, the Pan-Atlantic University will confer an honorary doctorate on Prince Yemisi Adedoyin Shyllon in recognition of his immense and impactful work in the furtherance and promotion of Nigerian art. Prince Shyllon’s commitment to art and engineering is legendary. I am addicted to the two television programs he sponsors on art and engineering. He is a vanguard, an avant-garde collector, a pathfinder in the proportion of Ogun, the Yoruba god of iron. Having been in his unique spaces—full of wonders and splendors—I also see a Sango in him. Shyllon, a prince of Ake, can jump off Olumo Rock and land softly on the ground. His achievements are hard to define in human terms.
There is a popular and acceptable sentiment that passion is never enough, that one must push beyond love and passion for a cause or phenomenon to have a chance at success. This aphorism might hold in several cases; however, for every established phenomenon, there is at least an exception—an outlier, defying odds, going against rationalized outcomes, defeating doubts, and conquering conventional beliefs. For the established belief that passion is never enough, Prince Yemisi Shyllon, who has more than succeeded in his areas of passion, is an outlier. He is a man who sided with his passion for arts and, in so doing, became the modern Ogun, the pathfinder, forging through never-before aspects and shaping out pathways in them. This, he did literally and figuratively. As an art collector—Africa’s largest collector at that—Shyllon has been at the forefront of discovering many African talents who have gone on to dazzle the world, finding their path and evolving into globally recognized and appreciated artists. If we traced back such an accomplishment with rippling effects of positivity on the nation’s global outlook and talent export, it would be to a passion that this successful man dared to chase.
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Prince Yemisi Shyllon and I have at least one similar education history, sharing the alumnus status of two of Nigeria’s best and most prominent universities. While our times at these academic institutions might have been inverse—he had his first degree at the premier university, the University of Ibadan (UI), where I had my most recent degree, and I had my first degree at the University of Ife (now Obafemi Awolowo University (OAU)), where he had his Master of Business Administration degree—one cannot but admit that Prince Shyllon is a well-read technocrat turned collector and pathfinder. After a fulfilling academic sojourn in UI, leading to an engineering degree and a Master of Business Administration with distinction from OAU three years after his Bachelor’s degree, Prince Shyllon was positioned to have a fulfilling career. However, his love for law spurred him to bag yet another degree at the University of Lagos. The vastness of Prince Shyllon’s knowledge and experience is best summarized by his earliest academic endeavors—that a man could have excelled in engineering, marketing and finance (his MBA specialization), and the law tells of a man with sound and diverse knowledge. It is not surprising that after his academic sojourns, he quickly rose through the ranks in the corporate world, becoming the first African Executive Director of Nigerite Limited—Nigeria’s largest manufacturer of building materials.
Prince Shyllon’s emergence as the holder of such an elevated position at a multi-national at the prime age of 31 speaks to several things. Firstly, he strategically underwent programs to give him an edge and position him for the career he had envisioned. Secondly, his qualities exceed sheer brilliance and intelligence and include uncanny business acumen, such that he could rise from mid-level to senior career roles at a large firm in a matter of years. His focus, business acumen, education, and sheer brilliance also came to play when he served as the legal adviser of ETEX’s African region (the parent company of Nigerite Limited). When preparation meets opportunity, the resultant effects of the encounter positively blow out of proportion, and so it was for the early career life of Prince Shyllon. His technocratic and corporate expertise and experience go beyond his early years at Nigerite, as he also held top-level advisory and leadership positions in corporate and government organizations. As a 37-year-old proud Egba man, Shyllon was the Chairman, Board of Directors, Ogun State Broadcasting Corporation and Ogun State TV. He also chaired the Ogun State Government’s Raigate Investment Company and Gateway Tourism Corporation. Besides these roles, his stewardship extended to the national level, where he was a pivotal member of the National Think Tank.
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While holding all these positions and serving on several boards and committees for private companies, corporate bodies and organizations, and government institutions, some of which he still serves on to date, Prince Yemisi Shyllon had a much deeper passion for tourism and art. As a profound lover of African arts and believer in the touristic potential of the African continent, he started collecting artworks from his second year of undergraduate study at the University of Ibadan, and in 2007, his long-nursed passion birthed the Omooba Yemisi Adedoyin Shyllon Foundation of Art. Today, the foundation is Nigeria’s largest private art collection, with about 15 years of existence. Beyond being the largest private collector of art, Prince Shyllon has, through his foundation, realized his dream of promoting Nigerian art and artists. The foundation has resources—art galleries, art residency programs, collaborations with corporate institutions and government bodies, support and sponsorship—through which he actively promotes and projects Nigerian art and artists at a large scale to the global audience. Many artists had their earliest works collected by Prince Shyllon, thus paving the way for recognition and exponential growth for these artists.
To gauge how pivotal his work as a collector has been in the Nigerian, African, and global art scene, we must consider how Prince Shyllon has over 7000 artworks of Nigerian artists across genres, ages, and timelines. Also, he has over 55,000 photographs of various Nigerian festivals, many of which are fast going extinct and hardly preserved, no thanks to the decline in the national investment in and consideration of arts and tourism. Through his initiative of collecting and preserving these photographs, Prince Shyllon has registered himself as one of the strongest preservers of Nigerian history, although he never took an interest in history while in school. He believes he has a calling and a legacy that transcends him; therefore, he is not only collecting artworks out of passion but also to fulfill his mission. This is evident in how he has made his collection easily accessible to museums, educational institutions, and scholars, and in so doing, bringing much-needed attention to the beauty of African art (especially that of Nigerian origin) and how our stories and histories are being told through art.
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Prince Yemisi Adedoyin Shyllon’s actions also reflect the belief that “the legacy transcends the man,” particularly in the way he has collaborated with other organizations and foundations to promote Nigerian art through exhibitions, documenting Nigeria’s major festivals, and art residencies. He is a man whose inner characteristics of generosity and selflessness are shown in his love for art. Through the Residency Program of his foundation, close to 100 artists of varying media and genres from within and outside Nigeria have benefitted from research into and a study of his collection, coupled with strategic meetings with Nigerian art stakeholders and the provision of a serene environment to work, study, and practice throughout the program. His generosity extends to other art-related initiatives, like the funding of a Professorial Chair of Visual Art and Design at the University of Port Harcourt. He is also famously known for generously donating artwork to the Lagos Freedom Park and the University of Lagos. The popular sculpture of a graduate on the University of Ibadan’s Oduduwa Road is also courtesy of Prince Shyllon.
Similarly, he donated to the Ade-Ajayi Garden at the University of Ibadan and restored Ben Enwonwu’s famous 1952 painting to the University of Ibadan Vice-Chancellor’s office. Prince Shyllon is an alumnus who keeps giving back to his alma mater. Beyond artworks, he also supported the restoration of the University of Ibadan Zoo, and in his magnanimous generosity, he contributed impactful financial resources to the creation of the Yemisi Shyllon Museum of Art at the Pan-African University, Lagos, making it the first privately-funded university museum of art in Nigeria. His initial donation to this establishment was a grand generosity of 1000 artworks. Since then, he has served as the Grand Donor and Chairman of the museum’s supervisory council.
Prince Shyllon’s life, work, engagements, and interactions these past decades speak of and project his love for and commitment to the advancement of Nigerian art, for which he has received national and international recognition. He is a worthy example, and his life and deeds serve as an inspiration to many.
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In the end, the best lives are those spent furthering the cause of humanity and actively promoting peace and the good in our human races. Prince Shyllon has done this and continues to do so through his work, which is why I am beyond pleased at the news of yet another deserved recognition coming his way. Honorary doctorates are an honor, a privilege, but there are instances that they almost feel like something deserved. In such instances, the honored person is worthy of recognition and appreciation. The same sentiments apply in the case of this honorary doctorate coming Prince Shyllon’s way.
Congratulations on this recognition, Omooba Dr. Shyllon, Eniyan iyi, and thank you for being the quintessential proof that good still lives among humans.
Falola is a Nigerian historian and professor of African Studies. He is currently the Jacob and Frances Sanger Mossiker Chair in the Humanities at the University of Texas at Austin.
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Opinion
Stellenbosch: Senzeni Na And Decolonizing Secularity In Africa
Published
1 day agoon
March 11, 2025
By Leo Igwe
In December, I attended a workshop on Decolonizing Secularity in Africa. It was one of my best conferences because it highlighted issues that have worried me over the years. For the first time, I attended an academic conference on religion or secularism in Africa that featured a panel on atheism and humanism in Africa. Organized by Point Sud, this workshop was held at Stellenbosch in South Africa. Interestingly I did not know about Stellenbosch’s colonial history and significance. So I could say with the benefit of hindsight that the choice of Stellenbosch as a venue for this event was adequate. The goal of the workshop was, based on the coloniality of secularity, to interrogate the “liberating force of religion, the secular in ethnic nationalisms, and the ideologies of culturalization, not least in its current revenant, heritagization, in Africa and beyond”. It was great to meet, discuss, and exchange ideas on colonization, decolonization, religion, and secularity with scholars and activists from different parts of the continent and the world. Many issues that emerged at the conference have continued to agitate my mind. First is the so much emphasis on colonization. I have continued to wonder: Can’t we meaningfully discuss African issues without alluding to colonialism? Again, reference is always made to Western colonialism. What about Eastern and other forms? Many parts of America were colonized at one point or the other. Weren’t they? The same with Europe, Asia, and Oceania. But it is only in the case of Africa that there is an overemphasis on Western colonialism. Incidentally, many African scholars have unwittingly joined in explaining Africa through the lens of colonialism, western colonialism.
The fixation on colonialism is not without a reason. I attended an African studies conference some years ago and someone alluded to a comment by a Western scholar, that regarding Africa, before colonialism, there was nothing. There was nothing? I was shocked to hear that comment. Look, that I do not know or nobody knows about a period in history, does not mean that there was nothing. Is it not better to say I do not know than to make such a dimwitted statement? What applies to Africa, applies to other places in the world. There are stages in their histories nobody knows what happened. Or what is known is patchy. That should not be a reason to say that there was nothing.
One issue that engaged attendees was the meaning of ‘decolonizing’. What does it mean to decolonize? Some define decolonization as removing or undoing colonial elements and influences. And if that is the case, what do we remove or undo? And who does that and Why? how do we undo the Western colonial linguistic influence? What about the eastern and other colonial elements? Is it possible or feasible to remove or undo all colonial influences? By the way, is religion or secularity as introduced to Africa decolonized?
Some participants argued that decolonizing secularity implied going back in time before colonialism. So, how far can we go and why? In the process won’t we go back to that time “when there was nothing?” Can’t we decolonize without returning to the past? Can’t we decolonize looking forward and not backward? Is religion or secularity not an embodiment of layers of influences over the years? If we were to peel off these ‘colonial’ elements, what would be left? Some propose a return to the indigenous forms of secularity or religion as the case may be. The question is this: What does indigenous mean? Who defines or determines it? Is the indigenous the same for all? What is considered indigenous to South Africans may not be to Kenyans, Nigerians, or Malians. What is considered indigenous in a part of Nigeria may be a legacy of the colonial influence by another part of Nigeria. So what is indigenous to Africa is not monolithic and regionally applicable.
That leads me to another controversial issue that came up at the workshop, which is, one secularity or multiple secularities. Some of the participants especially those from the Department of Religion, at the University of Cape Town were of the view that there was one secularity, that is the western secularity is manifesting in other climes, in different forms. While other participants from Europe leaned towards the notion of multiple secularities highlighting forms of distinction and differentiation between religion and other social domains across cultures. Although secularism or secularity is Western in origin, what the concept represents manifests in other cultures and societies. Secularities predate Western secularity or manifest and feature in ways that do not fit into or align with Western secularity.
As I noted earlier, there have been colonialisms before Western colonialism. There have been secularities before Western secularity. Although Western colonialism brought the influence of western religion and secularity to bear on various cultures and societies, the colonial encounter does not negate the social differentiation of religion and other domains in these societies. It is only in seeing or articulating secularity in its multiple forms that these situations, dynamics, and intersections could adequately be captured. So, the concept of multiple secularities has enormous explanatory power. It is useful and helpful in highlighting the social distinction of religion and other domains in cultures and societies beyond the West.
For instance, western missionaries introduced christianity and the Christian god to Africa. What we have is one Christianity or Islam manifesting in different forms. Africans have adapted and reinvented the Christian religion over the years, hence the notion of African Christianities. Again while western Christian missionaries introduced Christian religion or religiosity, they did not introduce religion. religiosity, or the idea of god. There are other religiosities apart from and beyond Christianities/Christian religiosities. There are other gods and deities beyond the Christian god/deity. I think the idea of multiple secularities or multiple religiosities has much more descriptive value.
Another issue that came up at the event, not surprisingly so, was apartheid. One of the presenters analyzed the song, Senzeni Na (What have we done?) to buttress his point. I have never heard of the song. I didn’t know its relevance to the anti-apartheid struggle. In the course of the discussions, it was noted how other Africans including Nigerians are not conscious or sensitive to the pains of apartheid. I noticed from the expressions of some South Africans at the meeting that they were not happy with the nonchalant attitudes of Nigerians towards their experience. I believe that black South Africans are right to feel that way. The apartheid was a tragic experience that still hurts blacks in contemporary South Africa. The painful memories won’t quickly go away. Black South Africans should also understand that Nigerians have a different history and experience. They should also not forget that the Nigerian and other African governments contributed a lot to the anti-apartheid struggle. Nigeria supported Nelson Mandela and other heroes and heroines of the struggle.
Many South Africans do not relate to the tragedy of the Rwandan genocide as Rwandans do. They do not relate to the pain and trauma of the Nigerian civil war. In meetings and conferences, they treat these experiences and encounters lightly because these experiences were not a part of their history. As I noted during my conversations with some of the attendees, while I appreciate the pain and trauma of apartheid, Black South Africans must learn to move on because as they say in the Igbo language, Nke chi ka, meaning, the one yet to come, the future one, the one that belongs to tomorrow, is greater. The greatness of South Africa does not lie in the past but in its tomorrow, in its future. It does not mean that we should not refer or draw from the past. We should and we must. But South Africa is not returning to those days when Senzeni Na was sung. The country is forging ahead and moving towards a better and more glorious future.
This song provides a thrust for this forward and onward movement. It highlights the challenges that South Africans face and are facing. But more importantly, this song codifies the pain and suffering of all humans because all oppressed people everywhere; all who suffer persecution within and without South Africa are singing, Senzeni Na.
Igwe, PhD, was a co-convener of Decolonizing Secularity in Africa, Stellenbosch, South Africa, 9–13 December 2024.
Opinion
Commonwealth Day 2025: Together We Can End Witch Hunts And Ritual Attacks
Published
1 day agoon
March 11, 2025
By Leo Igwe
As we mark Commonwealth Day 2025, the Advocacy for Alleged Witches protests witch hunts and ritual attacks in Commonwealth countries, and the refusal of the Commonwealth to speak out against these abuses. In many parts of Africa, Asia and Oceania witch hunting is not a thing of the past but an ongoing wave of abuses and violations. In Commonwealth countries such as Ghana, Nigeria, Kenya, Papua New Guinea, persecution of alleged witches rages with force and ferocity. In Ghana, witch persecution results in the displacement of accused persons who then flee to some make shift shelters known as “witch camps”. Those who could not flee to these places like Akua Denteh are murdered in cold blood.
Witchcraft accusation is a form of death sentence for the accused and accused people are sometimes extrajudicially killed despite existing legislations in these countries. Witch trials take place in many countries of the Commonwealth. Trial by ordeal and jungle justice are meted out to the accused. Some weeks ago, an elderly woman who had dementia was accused of witchcraft and beaten to death in Nigeria. In Malawi, alleged witches are stoned to death. In Zambia some political opponents suspected of trying to kill the president using ‘witchcraft’ are standing trial at the state court. Alleged witches, mainly women, children and people with disabilities are attacked, banished, lynched, buried alive or tortured to confess to the ‘crime of witchcraft’.
Witch hunting persists because many countries and groups of countries like the Commonwealth have refused to speak out against these atrocities. The Commonwealth should break its silence on witch hunts and ritual attacks in member countries. It should join the UN in condemning these horrific abuses. The Commonwealth should add its voice to this campaign. It should highlight witch persecution and witch hunting during its meetings and summits. It should call for an end to abuses linked to witchcraft beliefs and ritual attacks. The Commonwealth Day should be an opportunity to recommit to ending this menace. It provides a platform to rally all countries against these violations. No nation should be left behind in the quest to make witch hunting history around the globe.
Together we can end witch hunts and ritual attacks in Commonwealth countries.
Igwe, PhD, directs the Advocacy for Alleged Witches.

By Toyin Falola
Our university is now an adult at 20!
About twenty-two years ago, the vision to redefine the frontiers of private education in Nigeria led to the conceptualization of the idea, which birthed a new direction for education. The thoughts and projections of like-minded educators and academic experts led to the establishment of Lead City University (LCU) as a beacon for progressive education in Nigeria. This development came when access to higher education was limited by rigid institutional structures and to federal, state, and a handful of private institutions.
At inception, LCU was envisioned as an academic environment that was expected to balance flexibility with skills and academic excellence. On this note, the university became fully operational in 2005, having scaled through necessary procedures for establishment. Since then, the university has positioned itself as an institution willing to break conventional norms by offering programs that blend theoretical learning with practical application. The goal was clear—to bridge the gap between academia and the real-world demands of the job market, ensuring that students graduated with certificates, competence, and confidence. Hence the word “enterprise graduate”.
Two decades later, Lead City University has become a household name in private tertiary education in Nigeria and earned the trust of parents, guardians, students, and the education community. From its humble beginnings with two campuses around Jericho and Challenge areas of Ibadan, the University has metamorphosed to its current state, reflecting the institution’s journey of ambition, resilience, and a commitment to continuous improvement. To reiterate, the university’s distinct blue, white, and pink colors symbolize the institution’s values for knowledge, human development, creativity and prestige, and excellence. At the same time, the university’s emblem, which depicts a fusion of knowledge, self-reliance, and technological orientation, is not just a design but a representation of LCU’s enduring promise to its students in equipping them with the tools they need to navigate life’s complexities.
In its formative years, Lead City University set itself apart by adopting an academic model that was both innovative and inclusive. Unlike conventional universities that adhered to a one-size-fits-all approach, LCU introduced learning structures that accommodated working professionals, non-traditional students, and young scholars eager for a more practical learning experience. This unique flexibility over time has attracted a diverse student population, making the university a melting pot of ideas and aspirations.
Significantly, and with every sense of humility, it is worth mentioning that the academic offerings at LCU have grown in milestones over the years. What started as a modest selection of undergraduate programs across the two campuses has expanded into a comprehensive curriculum spanning disciplines such as Business Administration, Law, Engineering, Social Sciences, Computer Science, and Mass Communication. More recently, the university reached a significant milestone with the approval and accreditation of its Medical and Health Science programs, including Medicine and Surgery, Pharmacy, and Physiotherapy.
These additions have broadened the school’s academic reach and cemented its credibility as a serious player in Nigeria’s higher education landscape. This has brought much credence to the school, its parent body, and every stakeholder within its system. This is because achieving accreditation for these highly sought-after courses required a high-level strategic investment in infrastructure, faculty recruitment, and curriculum development. The intensity of these has further proven LCU’s unwavering commitment to quality education.
Beyond the classroom, LCU has been at the forefront of promoting an education system that extends beyond academic achievements. It is an apparent recognition that learning should not be confined to lectures and textbooks. To achieve this, the university has integrated entrepreneurship programs, skill acquisition initiatives, and industrial partnerships into its curriculum as a proactive measure for students to withstand today’s competitive job market, where traditional employment opportunities are increasingly fizzling out. It is a welcome development for a 21st-century school, as graduates need more than theoretical knowledge. They need adaptability, innovation, and more practical experience to fit in. It gladdens the heart to know that LCU understands this reality and has taken deliberate steps to ensure its students are equipped with these critical skills.
A defining aspect of the university’s impact over the past two decades has been its emphasis on accessibility. The tradition before was that private universities in Nigeria were often perceived as elitist due to their tuition costs and the social class that enrolled. At one point, there were similar issues with enrollment, as many were not convinced that it was a school their wards could attend.
To mitigate this, LCU has consistently worked to change the narratives by providing scholarships and financial aid to deserving indigent students. These scholarships, awarded based on merit and financial need, remind the institution of its commitment to inclusivity. These opportunities have been life-changing for many students who might have otherwise been unable to afford higher education. By ensuring that education remains within reach for those who need it most, LCU has once again demonstrated its commitment to shaping futures.
Looking at the trajectory and quality of academic delivery obtained in the school, one cannot salute the decision to have a well-grounded faculty. Faculty development has been another cornerstone of LCU’s success. After all, an institution is only as strong as the quality of its educators. Hence, there is a deliberate commitment to recruiting experienced lecturers, researchers, and industry professionals for its academic team. Over the years, the university has built a faculty that blends theoretical expertise with real-world experience. This approach ensures that students are not just taught from textbooks but are mentored by individuals who have made significant contributions in their respective fields. By fostering an environment of mentorship and academic research, the university has maintained high teaching standards, preparing students for professional and educational pursuits.
The physical transformation of Lead City University over the past twenty years is also worth noting. The university, which began with a modest campus, has since expanded into a thriving academic hub, complete with modern lecture halls, state-of-the-art laboratories, well-equipped libraries, and recreational facilities embedded in an architectural design that reflects a blend of tradition and modernity, creating an environment that is both inspiring and conducive to learning. These infrastructural developments are a testament to the university’s long-term vision to make learning conducive in a friendly atmosphere.
However, LCU’s journey has not been without challenges. Like all private institutions, it has had to navigate the complexities of Nigeria’s educational sector, including regulatory policies, economic fluctuations, and the evolving expectations of students and parents. For instance, the unpredictability of the country’s economy has often made financial planning difficult for the institution and its students. Yet, through strategic planning and resilience, LCU has continued to evolve, adapting to changes while maintaining its core mission.
The role of technology in education has also become increasingly significant in recent years, and LCU has recognized the need to integrate digital learning into its academic framework. The COVID-19 pandemic disrupted educational systems globally and became a wake-up call for institutions to adopt more technologically driven learning methods. LCU strengthened its digital learning infrastructure, enabling students to continue their education remotely. The university’s investment in e-learning platforms, virtual labs, and online course delivery models reflects its readiness to embrace the future of education.
At one point, the university displayed mastery of digital tools to drive enrollment. This was in the wake of low enrollments, especially as very few citizens of Oyo State see the school as a prospect. During this period, the university had a large number of its students coming from outside the state. In response, the dedicated marketing teams deployed various traditional and digital tools, effectively utilizing social media, newsletters, and email marketing to achieve outstanding results. This is but a display of innovative thinking by a core department in the school.
As Lead City University celebrates its 20th anniversary, it is at a critical juncture that demands an even more significant commitment to innovation, research, and global academic engagement. The next phase of its journey will undoubtedly require a stronger emphasis on technological integration, expanded research initiatives, and deeper collaborations with local and international institutions. The university has already laid a strong foundation, but the challenge is to build upon it, ensuring that the next twenty years bring even more outstanding achievements.
Lead City at 20 is not just a celebration of longevity but a testament to the power of vision, perseverance, and growth; from a promising idea to a respected institution, LCU’s story is one of transformation and impact.
Looking ahead, the university must continue to evolve, keeping pace with global academic trends while staying true to its mission. Whether through the expansion of its research capabilities, increased industry collaborations, or the continued development of its students, LCU’s future is filled with possibilities. The past twenty years have been remarkable, but the next two decades hold even more significant potential.
For students, alums, faculty, and stakeholders, Lead City University is more than just an institution—it is a community, a movement, and a legacy in the making. As the university steps into the future, it does so with the same ambition and resolve that fueled its inception. The journey is far from over; in many ways, it is only just beginning.
. Falola is Professor Emeritus in the Humanities Lead City University.
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